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์˜ํ™”๊ฐ€ ์‹œ์ž‘๋œ๋‹ค. 1์ธ์นญ๊ณผ 2์ธ์นญ, ์ฐฉํ•˜๊ฑฐ๋‚˜ ๋ชป ๋œ 3์ธ์นญ๋“ค ๋‚˜๋จธ์ง€๋Š” ๋ฐฐ๊ฒฝ์ด๊ฑฐ๋‚˜ ์„ธํŠธ๊ฑฐ๋‚˜ ์ด๋ฆ„๋„ ์—†๊ณ  ์ƒ๊ด€๋„ ์—†๋Š” ์žก๋‹คํ•œ ๊ฒƒ๋“ค, 4์ธ์นญ์ด๋‹ค ์•„๋ฌด๋„ ๋‚˜์—๊ฒŒ ๋ฌด๋ก€ํ•œ ์  ์—†๋‹ค ๋‚ด๊ฐ€ ์žˆ๋Š”์ง€๋„ ๋ชจ๋ฅธ๋‹ค ๋‚˜๋Š” ๊ฐ€๊ตฌ๋‹ค ์˜ท์žฅ์ด๋ฉด์„œ๋„ ์˜ท ํ•œ๋ฒˆ ๋ฐฐ๋ถˆ๋ฆฌ ํ’ˆ์€ ์  ์—†๋‹ค ๋‚˜๋Š” ํ–‰์ธ์ด๋‹ค ํ•˜์ง€๋งŒ ํ•œ ๋ฒˆ๋„ ๊ฐˆ ๊ธธ์„ ๊ฐ„ ์ ์ด ์—†๋‹ค ๊ฑฐ๋ฆฌ์—์„œ, ํŽธ์˜์ ์—์„œ ์‚ฌ๋žŒ๋“ค์˜ ๋ฌดํ‘œ์ •์€ ๋ฐฐ์—ญ์„ ๋ฐ›์ง€ ๋ชปํ•ด์„œ๋‹ค ๋ฐฉ๋ฌธ์„ ์—ด๊ณ  ๋“ค์–ด์„œ๋ฉด ๋‚˜๋Š” ๋‹ค์‹œ 1์ธ์นญ์ด๋‹ค ๋‚ด ๊ณ์—๋Š” 2์ธ์นญ๋„, 3์ธ์นญ๋„ ์—†๋‹ค ๊ทธ๋“ค์€ ๊ฐ์ž์˜ ๋ฐฉ๋ฌธ ์•ˆ์—์„œ 1์ธ์นญ์œผ๋กœ ์‚ด๊ณ  ์žˆ๋‹ค ๋‚˜์—๊ฒŒ ๊ทธ๋“ค์€ 4์ธ์นญ์ด๋‹ค ๊ทธ๋“ค์—๊ฒŒ ๋‚˜๋„ ๊ทธ๋ ‡๋‹ค ๋ฌธ์„ ์—ด๊ณ  ์ž…์„ ์—ด๋ฉด ์ €์ ˆ๋กœ ์ธ์นญ์ด ์ƒ๊ธฐ๊ฒ ์ง€๋งŒ 4์ธ์นญ๋ผ๋ฆฌ ๋ง์„ ์„ž๋Š”๋‹ค๋Š” ๊ฒƒ์€ ๋‘๋ ค์šด ์ผ์ด๋‹ค ๊ทธ๋Ÿฐ ๋ฐค์ด๋ฉด ๋งˆ์Œ์†์— ๊ตฌ๋ฉ์ด๋ฅผ ํŒŒ๊ณ  ์ฐธ์•˜๋˜ ๊ฒƒ๋“ค์„ ๊นŠ๊ฒŒ ๋ฌป๋Š”๋‹ค ์™ธ๋กœ์šด ๋ณ„์ด์ง€๋งŒ ์•„๋ฌด ๋•Œ๋‚˜ ๋น›๋‚  ์ˆ˜ ์—†๋‹ค ๋ฐ”๋žŒ ๋ถ„๋‹ค๊ณ  ๋ˆ„๊ตฌ ์•ž์—์„œ๋‚˜ ๋ชธ์„ ๋’ค์ง‘๊ณ  ์†์„ ๋ณด์ผ ์ˆ˜๋„ ์—†๋‹ค 4์ธ์นญ์€ ์žฅ๋ฅด๊ฐ€ ๋‹ค๋ฅธ ์„ธ์ƒ์„ ๊ฟˆ๊พธ๊ณ  ์žˆ๋‹ค https://youtu.be/XxB2Nf6i_5Q?si=Y-sYQ3v57P7mfy-R

4์ธ์นญ์— ๊ด€ํ•˜์—ฌ/์œค์„ํ˜ธ

์˜ํ™”๊ฐ€ ์‹œ์ž‘๋œ๋‹ค. 1์ธ์นญ๊ณผ 2์ธ์นญ, ์ฐฉํ•˜๊ฑฐ๋‚˜ ๋ชป ๋œ 3์ธ์นญ๋“ค ๋‚˜๋จธ์ง€๋Š” ๋ฐฐ๊ฒฝ์ด๊ฑฐ๋‚˜ ์„ธํŠธ๊ฑฐ๋‚˜ ์ด๋ฆ„๋„ ์—†๊ณ  ์ƒ๊ด€๋„ ์—†๋Š” ์žก๋‹คํ•œ ๊ฒƒ๋“ค, 4์ธ์นญ์ด๋‹ค ์•„๋ฌด๋„ ๋‚˜์—๊ฒŒ ๋ฌด๋ก€ํ•œ ์  ์—†๋‹ค ๋‚ด๊ฐ€ ์žˆ๋Š”์ง€๋„ ๋ชจ๋ฅธ๋‹ค ๋‚˜๋Š” ๊ฐ€๊ตฌ๋‹ค ์˜ท์žฅ์ด๋ฉด์„œ๋„ ์˜ท ํ•œ๋ฒˆ ๋ฐฐ๋ถˆ๋ฆฌ ํ’ˆ์€ ์  ์—†๋‹ค...

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<์‹œ์ธ ๊ณผย  ์‹œ>ย  The poet and Poem with Grace Cavalieri ย ย ย ย ย ๋ฏธ๊ตญ ๊ตญํšŒ๋„์„œ๊ด€ย  ๋…น์Œ ๋ฐฉ์†ก ย ย ย ย ย ย ย ย ย ย  ์„œ์œค์„ ์ง€๋‚œ 5์›” 9์ผย  ๋งค๋ฆด๋žœ๋“œ ๊ณ„๊ด€ ์‹œ์ธ Grace Cavalieri ์˜ ์ดˆ์ฒญ์„ ๋ฐ›๊ณ ย  ์—ฌ๋ŸํŽธ์˜ ๋‚ด ์˜์‹œ๋ฅผ ๋‚ญ์†กํ•˜๋Š” < The poet and the poem >ํ”„๋กœ๊ทธ๋žจ ๋ฐฉ์†ก์— ๋‚˜๊ฐ”๋‹ค.ย  ๋˜๋Œ์•„๋ณด๋ฉด ๋‚˜๋Š” ๊ณ ๋“ฑํ•™๊ต ์‹œ์ ˆ ๋ถ€ํ„ฐ ์›๊ณ ๋ฃŒ ์‹ฌ๋ถ€๋ฆ„์„ ํ•ด๋“œ๋ ธ๋˜ ์ฒญํŒŒ๋™ 2๊ฐ€ ํšจ์ฐฝ๊ตญ๋ฏผํ•™๊ต ์ •๋ฌธ์•ž์— ์‚ฌ์‹œ๋˜ ์ด์–ด๋ น ์„ ์ƒ๋‹˜์„ ๋น„๋กฏํ•˜์—ฌ ์†Œ์„ค๊ฐ€ ์žฅ์šฉํ•™, ํ‰๋ก ๊ฐ€ ์‹ ๋™์šฑย  ์„ ์ƒ๋‹˜ ๊ฐ™์€ ํ›Œ๋ฅญํ•œ ๋ถ„๋“ค ํ•œํ…Œ์„œ ๋ฌธํ•™์ˆ˜์—…์„ ๋ฐ›์•˜๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ย  ์ข‹์•„๋Š” ํ–ˆ์ง€๋งŒ ์ฒ˜์Œ๋ถ€ํ„ฐ ๋‚˜๋Š” ๋ฌธํ•™์— ๋งค๋‹ฌ๋ฆด ์ˆ˜ ์—†์—ˆ๋‹ค. ๋‹ค๋งŒ ์˜์˜ˆ๊ณผ ์‹œ์ ˆ์— ์ผ๊ธฐ๋ฅผ ์ผ์„ ๋ฟ์ด๋‹ค.ย  ๋ณธ๊ณผ์— ์˜ฌ๋ผ๊ฐ€๋ฉด์„œย  ๋ถ€ํ„ฐ๋Š” ๋งˆ์Œ์„ ๊ฐ€๋‹ค๋“ฌ๊ณ  ์˜ํ•™๊ณต๋ถ€์™€ ๊ฐ€์ •๊ต์‚ฌ๋ฅผ ํ•˜๋ฉด์„œ ํ•™๋น„๋ฅผ ๋ฒŒ์–ด์•ผ ํ–ˆ๋‹ค. ๊ทธ๋•Œ ์“ด ์ผ๊ธฐ์žฅ์ด๋‚˜ ์˜์˜ˆ๊ณผ ์กธ์—…์žฅ์„ ํ˜•๋‹˜ํ•œํ…Œ ๋งˆ๋ผ๊ณ  1972๋…„ ๋ฏธ๊ตญ์œผ๋กœ ์™”์ง€๋งŒ ์ด์   ๊ทธ ํ–‰๋ฐฉ์ด ๋ฌ˜์—ฐํ•˜๋‹ค.ย  ์ Š์€ ์‹œ์ ˆ์˜ ์•„๋ฆ„๋‹ค์šด ์ด์•ผ๊ธฐ๋„ ๋งŽ์ด ๋“ค์–ด์žˆ์„ ํ„ฐ์ธ๋ฐโ€ฆ๋‹ค๋งŒ 1968๋…„ 2์›” ์˜๊ณผ๋Œ€ํ•™์„ ์กธ์—…ํ•  ๋ฌด๋ ต์— ๊ทธ ๋‹น์‹œ์˜ ์˜์‚ฌํ˜‘ํšŒ ์‹ ๋ฌธ๊ธฐ์ž๊ฐ€ ๋‚˜์—๊ฒŒ ๋ถ€ํƒํ•ด์„œ ์กธ์—…์†Œ๊ฐ์„ ์“ด ์ผ์ด ์žˆ์—ˆ๋‹ค. ์žฌํ•™์‹œ์ ˆ์— ๊ฑด์šฐํšŒ(๊ธฐ์šฉ์ˆ™๊ต์ˆ˜์ง€๋„) ํ•™์ƒ ๊ต์–‘๋‹จ์ฒด๋ฅผ ๊ณ ์ธ์ด ๋œย  ์‹  ์‹ค๋™๋ฌธ๊ณผ ๊ฐ™์ด ์šด์˜ํ–ˆ๋˜ ๋•Œ๋ฌธ์ผ ๊ฒƒ์ด๋‹ค. ๊ทธ๋Ÿฌ๋‹ˆ ๊ทธ๊ฒƒ์ด ์ตœ์ดˆ๋กœ ๊ณต์‹์ ์œผ๋กœ ๋ฐœํ‘œํ•œ ๋‚˜์˜ ๊ธ€์ด๋‹ค. ๊ทธ ํ›„ 40๋…„๊ฐ„์€ ๋Œ€๋ถ€๋ถ„์˜ ์˜๋Œ€์นœ๊ตฌ๋“ค์ฒ˜๋Ÿผ ๊ทธ๋ƒฅ ์˜์‚ฌ๋กœ๋งŒ ๋ฐ”์˜๊ฒŒ ์‚ด์•˜๋‹ค. ๋ฏธ๊ตญ์˜ Lima ๊ทผ์ฒ˜์ธย  Toledo, Ohio์—์„œ ๋งˆ์ข…๊ธฐ ์‹œ์ธ์ด ์‚ด์•˜์ง€๋งŒ <์‹œ๋ฅผ ๋ฌด์—‡ํ•˜๋ ค๊ณ  ์“ฐ๋Š”๊ฐ€?>์ƒ๊ฐํ•˜๋ฉด์„œ ์‹œ๋ฅผ ๋‚ด๊ฐ€ ์“ด๋‹ค๋Š” ๊ฒƒ์€ ์ƒ๊ฐ๋„ ์•Š๊ณ  ์žˆ์—ˆ๋‹ค.ย  ๊ทธ๋Ÿฌ๋˜ ๋‚˜๋Š” 1995๋…„๊ฒฝ ๋ถ€ํ„ฐย  ์ˆ˜ํ•„์ด๋ผ๊ณ  ํ•  ์ˆ˜์žˆ๋Š” <๊ธˆ๊ฐ•์‚ฐ ์ผ๋งŒ ์ด์ฒœ๋ด‰, ํŽ˜๋ธ”๋น„์ทจ์— ์˜จ ์นœ๊ตฌ๋“ค, ์„ผ์•ค๋“œ๋ฃจ์Šคย  ์˜ฌ๋“œ ์ฝ”์Šค์— ์˜จ ์นœ๊ตฌ๋“ค> ๋“ฑ์„ ๋ฏธ์ฃผ์˜๋Œ€ ๋™์ฐฝํšŒ๊ฐ€ ๋ฐœํ–‰ํ•˜๋Š” ์‹œ๊ณ„ํƒ‘์— ์œกํ•„๋กœ ์“ด์›๊ณ ๋ฅผ ๋ณด๋‚ด์„œ ๋ฐœํ‘œํ–ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‹ค๊ฐ€ ์˜์‚ฌ๋กœ์„œ ์€ํ‡ดํ›„ 65์„ธ๊ฐ€ ๋œย  2008๋…„์— <ํ—ฌ๋กœ ๋‹ฅํ„ฐ์”จ์˜ค>์ˆ˜ํ•„์ง‘์„ย  ์œกํ•„๋กœ ์“ด ์›๊ณ ๋ฅผ ๋ณด๋‚ด๊ณ  ์ƒˆ ์ฒ ์ž๋ฒ•์œผ๋กœ ๊ต์ •์„ ๋ฐ›๊ณ  ๋ฐœ๊ฐ„ํ–ˆ๋‹ค. ๊ทธํ›„ ์„œ์šธ์„ ๋ฐฉ๋ฌธํ•  ๊ธฐํšŒ๊ฐ€ ์ƒ๊ฒจ์„œย  ์›”๊ฐ„ <์‹œ๋ฌธํ•™> ์žก์ง€๋ฅผ ๊ด‘ํ™”๋ฌธ์˜ ๊ต๋ณด๋ฌธ๊ณ ์—์„œ ๊ตฌ์ž…ํ–ˆ๋‹ค. ์š”์ฆˆ์Œ ์‹œ์ธ๋“ค์ด ์–ด๋–ป๊ฒŒ ์‹œ ์ž‘ํ’ˆ์„ ์ฐฝ์ž‘ ํ•˜๋Š”์ง€ ์•Œ๊ณ  ์‹ถ์–ด์„œ ์ •๊ธฐ ๊ตฌ๋…์ž๊ฐ€ ๋œ ๊ฒƒ์ด์—ˆ๋‹ค. ์‹œ๋ฅผ ์“ฐ์ž๋Š” ์ถฉ๋™์ด ์ด๋•Œ ์‹œ์ž‘ํ•œ ๊ฒƒ์ด๋‹ค. ๊ทธ๋Ÿฌ๋‹ค๊ฐ€ ํ˜ผ์ž ๋งŒ ๊ทธ๋ƒฅย  ์ž‘ํ’ˆ์„ ์“ฐ์ง€๋ง๊ณ  ๋ฌธ๋‹จ์— ์ •์‹ ๋“ฑ๋‹จ์„ ํ•˜๋ผ๊ณ  ๊ถŒ์œ ํ•˜๋Š” ์•„๋‚ด์˜ ๋ง๋Œ€๋กœ 2009๋…„๊ฐ€์„ ์›”๊ฐ„ <์‹œ๋ฌธํ•™>์— ์‘๋ชจํ–ˆ๋‹ค. 10ํŽธ์˜ ์ž‘ํ’ˆ์„ ๋ณด๋ƒˆ๋Š”๋ฐ ๋†€๋ž๊ฒŒ๋„ ์‹ ์ธ ์šฐ์ˆ˜ ์ž‘ํ’ˆ์ƒ์„ ๋ฐ›๊ณ ย  ํ•œ๊ตญ๋ฌธ๋‹จ์˜ ์‹œ์ธ์ด ๋˜์—ˆ๋‹ค.ย  ๊ทธ๊ฒƒ์€ ๊ทธํ•ด12์›” 24์ผ ๋‚ด ์ƒ์ผ์— ๋ฐ›์€ ์„ ๋ฌผ์ด์—ˆ๋‹ค. ์ด๋ ‡๊ฒŒ ํ™ฉํ˜ผ์˜ ๋‚˜์ด์— ๋‚˜๋Š” ๋“œ๋ฌผ๊ฒŒ ์˜์‚ฌ ์‹œ์ธ์ด ๋œ ๊ฒƒ์ด๋‹ค. 40์—ฌ๋…„์˜ ์ด๋น„์ธํ›„๊ณผ ์˜์‚ฌ๋กœ์„œ์˜ ๊ฒฝํ—˜์ด ์‹œ์ฐฝ์ž‘์˜ ๋ชจ๋“  ๋ฐ”ํƒ•์ด ๋˜์—ˆ๋‹ค. ์ž์—ฐํžˆ ์ƒ็”Ÿ๊ณผ ์‚ฌๆญป๋ฅผ ๋‹ค๋ฃจ๋Š” ์ž‘ํ’ˆ์ดย  ๋งŽ์ด ์“ฐ์—ฌ์กŒ๋‹ค. ์–ธ์–ด์˜ ์œ ํฌ๋ณด๋‹ค๋Š” ์ฒดํ—˜์— ์˜ํ•œ ์‚ฌ๋ฌผ์‹œ๋กœ์„œ ๊นŠ์ด๊ฐ€ ์žˆ๋‹ค๋Š” ํ‰์„ ๋ฐ›์•˜๋‹ค. ์‹ฌ์‚ฌ์— ๋ฌธ๋•์ˆ˜,๋ฐ•์žฌ๋ฆ‰, ๊น€๊ทœํ™” ์‹ ๊ทœํ˜ธ ์‹œ์ธ๋“ค์ด๋‹ค. ํ•œํŽธ ์‘๋ชจ๋ฅผ ๊ถŒํ•œ ๋‚˜์˜ ์•„๋‚ด๋Š” 30๋…„๋™์•ˆ ํŽธ์ง€๋ฅผ ์šฐ๋ฆฌ ์–ด๋จธ๋‹ˆ์—๊ฒŒ (ํšŒ๋‹ต์ด ๊ผญ ์™”์Œ) ํ•œ ๋‹ฌ์— ํ•œ ๋ฒˆ (์†ก๊ธˆ์ˆ˜ํ‘œ์™€ ๊ฐ™์ด) ์“ฐ๋Š” ์ด์™ธ์—๋Š” ์ ˆ๋Œ€๋กœ ์ž์‹ ์˜ ๊ธ€์„ ์“ฐ์ง€๋ฅผ ์•Š์•˜๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ๋Œ€๊ตฌ์˜ ์œก๊ตฐ๊ตฐ์˜ํ•™๊ต ๊ต๊ด€(๋Œ€๋Ÿ‰์ „์ƒ์ž ๊ด€๋ฆฌ, ์‘๊ธ‰์ฒ˜์น˜,์˜๋ฌด์‹ค์žฅ1968-1971)์œผ๋กœ ๊ตฐ์˜๊ด€ ๋ณต๋ถ€ ์ค‘ ์‹œ์ž‘ํ•œ ์šฐ๋ฆฌ์˜ ๊ฐ€๋‚œํ–ˆ๋˜ ๊ฒฐํ˜ผ ์ดˆ ๋ถ€ํ„ฐ ๋˜ ์—ฌ์ฃผ๊ตฐ, ๊ฐ•์ฒœ๋ฉด, ์ „๊ธฐ๋„ ์—†๋˜ ๋ฌด์˜์ดŒ์—์„œ ์‚ด ๋•Œ๋„ ์•„๋‚ด๋Š” ์–ด๋‘์šด ๋“ฑ์ž”๋ถˆ ์•„๋ž˜์—์„œ ๋ฌธํ•™์žก์ง€์™€ ์ฑ…์„ย  ์ฝ์—ˆ๋‹ค. ์ „๊ณต์ด ๊ทธ๋ž˜์„œ์ธ์ง€ ์ง€๊ธˆ๋„ ์‚ฌ์ „๋ณด๋‹ค ์ •ํ™•ํ•˜๊ฒŒ ๋‚ด ๊ธ€์˜ ์ž˜๋ชป๋œ ์ฒ ์ž๋ฒ•์„ ๊ณ ์ณ์ฃผ๊ณ  ์ž์„ธํžˆ ์ฝ๊ณ  ํ‰์„ ํ•ด์ฃผ์—ˆ๋‹ค.ย  ์šฐ๋ฆฌ๊ฐ€ Lima,ย  Ohio์—์„œ ๋ฏธ๊ตญ์˜ ์ˆ˜๋„ ์›Œ์‹ฑํ„ด์œผ๋กœ ์ด์‚ฌ๋ฅผ ์˜จ๊ฒƒ์ด ๋ฒŒ์จ 15๋…„์ด ๋˜์—ˆ๋‹ค. 2013-2015๋…„์—๋Š” ๋‚˜๋Š” ์„œ์šธ๋Œ€ ๋ฏธ์ฃผ๋™์ฐฝํšŒ(12๋Œ€ ์˜ค์ธํ™˜ ํšŒ์žฅ์‹œ)ย  ํŽธ์ง‘์œ„์›์œผ๋กœ ๋ด‰์‚ฌํ–ˆ๊ณ  ๋‚ด ์‹œ์ž‘ํ’ˆ์„ ์ด๊ธฐ์ค€ ์ฃผ๊ฐ„์ด ๋งค๋‹ฌ ๋‚˜์˜ค๋Š” ๋ฏธ์ฃผ ์„œ์šธ๋Œ€ํ•™๊ต๋™์ฐฝํšŒ์˜ ํšŒ๋ณด์˜ ์ฒซ๋ฉด์— ํฌ๊ฒŒ ์ฒœ์—ฐ์ƒ‰์œผ๋กœ ์˜ฌ๋ ธ๋‹ค. ๊ณ ๋งˆ์šด ์ผ์ด์—ˆ๋‹ค. ๊ทธ๋กœ ์ธํ•˜์—ฌ ๋‚˜์˜ ์‹œ๊ฐ€ ์ฐจ์ธฐ ๋” ์„ฑ์ˆ™ํ•ด์กŒ๋‹ค. ์ด์–ด์„œ 10๋…„์ „์— ๋ฏธ์ฃผ ์„œ์šธ์˜๊ณผ๋Œ€ํ•™ ๋™์ฐฝํšŒ์žฅ์ง์„ ๋งก๊ฒŒ๋˜๊ณ  ์‹œ๊ณ„ํƒ‘์˜ ํŽธ์ง‘์—๋„ ๊ด€์—ฌํ•˜๊ฒŒ ๋œ ๊ฒƒ์ด ์ด์ œ 10๋…„์ด ๋˜์—ˆ๋‹ค. ๋˜ ๋‚˜๋Š” ์ˆ˜๋„ ์›Œ์‹ฑํ„ด ์ง€์—ญ์˜ ํ•œ๊ตญ๋ฌธ์ธํšŒ์˜ ๋ชจ์ž„,ํฌํ† ๋งฅํฌ๋Ÿผ, ์œค๋™์ฃผ๋ฌธํ•™ํšŒ์˜ ๋ชจ์ž„์— ์ ๊ทน ์ฐธ์—ฌํ•˜์—ฌ ๊ธ€์„ ์ผ๋‹ค. ํ•œ๊ธ€ ํƒ€์ดํ•‘๋„ย  ๋ฐฐ์šฐ๊ณ  ์‹œ๋ฌธํ•™์—๋„ ์ž์ฃผ ์ž‘ํ’ˆ์„ ๋ฐœํ‘œํ–ˆ๋‹ค. ๋‚˜์ž์‹ ์ด ๋ฐœ์ „ํ•˜๊ธฐ ์œ„ํ•จ์ด๊ธฐ๋„ํ–ˆ๋‹ค. ๋˜ ์ด์ง€์—ญ์—์„œ๋Š” ์˜๋ฌธ์œผ๋กœ ๊ธ€์„ ์“ฐ๋Š” ๋ชจ์ž„์ด ๋ฌธ์ธํšŒ์˜ ๋ฐ•ํ˜„์ˆ™ ํšŒ์žฅ์— ์˜ํ•˜์—ฌ ์‹œ์ž‘๋˜์–ด ์กฐ์ง€์›Œ์‹ฑํ„ด๋Œ€ํ•™ ์–ธ์–ดํ•™๊ณผ์˜ ๊น€์˜๊ธฐ ๋ช…์˜ˆ๊ต์ˆ˜์˜ ๋ฆฌ๋”์‰ฝ์œผ๋กœ ์ด์–ด๊ฐ”๋‹ค. ์ž‘๋…„์—ย  ๋ฐœ๊ฐ„๋œ Songs In A Second Language ์—๋„ ์ฐธ์—ฌํ–ˆ๋‹ค. ์ด์ฑ…์˜ ์ถœํŒ๊ณผ ๊ด€๋ จํ•ด์„œ Maryland๊ณ„๊ด€์‹œ์ธ Grace Cavalieri์™€์˜ ์ธ์—ฐ์ด ์ด๋ ‡๊ฒŒ ์‹œ์ž‘๋ฌ๋‹ค. ํ•œ๊ตญ๋ฌธํ•™์„ ์›Œ์‹ฑํ„ด ์ฃผ๋ฅ˜ ๋ฌธํ•™์‚ฌํšŒ์— ์†Œ๊ฐœํ•˜๋Š” ๊ณ„๊ธฐ๊ฐ€ ๋œ ๊ฒƒ์ด๋‹ค. ์†ก์œค์ • ์ˆ˜ํ•„๊ฐ€, ์ด๊ด‘๋ฏธ ์‹œ์ธ, ๋ฐ•์ˆ™์ž ์†Œ์„ค๊ฐ€, ํ™ฉ๋ณด ํ•œ ๊ณตํ•™๋ฐ•์‚ฌ, ๊น€์ธ๊ธฐ ์‹œ์ธ, ์ž„์ •ํ˜„ ์‹œ์ธ, ๊ฐ•ํ˜œ์˜ฅ ํšŒ์žฅ์„ ํฌํ•จํ•œ ๊น€์˜์‹ค, ์„œ๋‚˜์˜, ๊น€๋ฏธ์˜, ์ •ํ˜œ์„ , ๋…ธ์„ธ์›…, ๊น€์ธ์ˆ™ ๋“ฑ ์ฐธ์—ฌํ•œ ์—ฌ๋Ÿฌ๋ถ„์˜ ๊ณ ๊ท€ํ•œ ์—…์ ์ด๋‹ค. ์ง€๋‚œ 2์›” 15์ผย  ๋ฏธ๊ตญ ์ตœ์ดˆ์˜ ๋Œ€ํ•™์˜ ํ•˜๋‚˜์ธ ํ•ด๋ณ€๊ฐ€ Annapolis์˜ St, Johnโ€™s College์—์„œ ์ด ์ฑ…์˜ ์ €์ž๋“ค์ด Book Signing (์‚ฌ์ง„์ฐธ์กฐ)์„ ํ–ˆ๊ณ ย  Grace Cavalieri ๋ฆฌ๋“œ๋กœ ํ™ฉ๋ณด ํ•œ ๋ฐ•์‚ฌ , ๊น€์˜๊ธฐ๊ต์ˆ˜, ์ด๊ด‘๋ฏธ ๋ฐ•์‚ฌ๊ฐ€ ๊ทธ๋‚  ์ž์‹ ๋“ค์˜ ์˜๋ฌธ ์ž‘ํ’ˆ๋‚ญ์†ก์„ ํ–ˆ๋‹ค. ๊ทธํ›„ Cavalieri์‹œ์ธ์˜ ์ฃผ์„ ์œผ๋กœ 3์›” 15์ผ์— ๊น€์˜๊ธฐ ๊ต์ˆ˜๊ฐ€ ์ดˆ๋Œ€๋˜์–ด ๊ทธ๋…€์˜ ์˜์‹œ์™€ ๋Œ€๋‹ด์„ ๊ตญํšŒ๋„์„œ๊ด€์—์„œ ๋…น์Œ์„ ํ–ˆ๋‹ค. ๊ธฐ๋ก์„ ๋ณด๋ฉด 2003๋…„ ํ•œ๊ตญ์ธย  ํ•˜์™€์ด๋ฏผ 100์ฃผ๋…„ ํ–‰์‚ฌ๋กœ ๋ฏธ๊ตญํšŒ๋„์„œ๊ด€์—์„œ ์ตœ์—ฐํ™์‹œ์ธ, ๊น€ํ–‰์ž ์‹œ์ธ์ด ์ž์‹ ์˜ ์ž‘ํ’ˆ์„ ๋‚ญ์†กํ•˜๊ณ  ์˜์–ด๋กœ ๋ฒˆ์—ญํ•œ ๊ฒƒ์„ ๋ฏธ๊ตญ์‹œ์ธ์ด ๋‚ญ์†ก์„ ํ•ด์ค€ ๊ธฐ๋ก์ด ์žˆ๋‹ค. ๊ทธ๋•Œ ๊ถŒ๊ท€์ˆœ ์‹œ์ธ๋„ ๋ฐ•๋‚จ์ˆ˜ ์‹œ์ธ์˜ ๊ฐˆ๋งค๊ธฐ๋ฅผ ํ•œ๊ตญ์–ด๋กœ ๋‚ญ์†กํ–ˆ๋‹ค.ย  ๋”ฐ๋ผ์„œ ๊ทธ 22๋…„ํ›„์ธย  2025๋…„ 3์›” 15์ผ์—ย  1์„ธ ํ•œ๊ตญ์ธ์œผ๋กœ ์˜์–ด๋กœ ์ž์‹ ์˜ ์ž‘ํ’ˆ์„ ๋ฏธ๊ตญํšŒ๋„์„œ๊ด€์—์„œ ๋‚ญ์†ก ๊ฒƒ์€ ์ด๋‚  ๊น€์˜๊ธฐ๊ต์ˆ˜๊ฐ€ ์ฒ˜์Œ์ผ ๊ฒƒ์ด๋‹ค.ย  ๊ทธ ๋‹ค์Œ ๋‹ฌ์— ๋‚˜๋Š” ๋œป๋ฐ–์— ์—ฐ๋ฝ์„ ๋ฐ›์•˜๋‹ค.ย  Cavalieri์‹œ์ธ์ด ๊ทธ๋…€๊ฐ€ ์ง€๋‚œ ์‹ญ์—ฌ๋…„๊ฐ„ Presentํ•˜๊ณ ์žˆ๋Š” The Poet and theย  Poem Program์—ย  ๋‚˜๋ฅผ ์ดˆ๋Œ€ํ•œ ๊ฒƒ์ด๋‹ค. 35๋ถ„์— ๊ฑธ์ณ์„œย  ์—ฌ๋ŸํŽธ์˜ ๋‚ด ์˜์‹œ๋ฅผ ๋‚ด๊ฐ€ ๋‚ญ์†กํ•˜๊ณ  ๊ทธ๋…€์™€ ๋Œ€๋‹ด์„ ํ•˜๋Š” ๊ฒƒ์„ Zoom์œผ๋กœ ๋ฏธ๊ตญํšŒ๋„์„œ๊ด€์ด ๋…นํ™”ํ•˜๋Š” ๊ฒƒ์ด๋‹ค.ย  Show์˜ ๊ธฐ๋ก๋“ค์€ Podcast์™€ ์œ ํŠœ๋ธŒ๋กœ ๋ฐฉ์†ก๋˜๊ณ  ์žˆ๋‹ค. ๋‚ ์งœ๋Š” 5์›” 9์ผ ๊ธˆ์š”์ผ ์˜คํ›„ 1์‹œ๋กœ ์ •ํ–ˆ๋‹ค. ๋‚ด๊ฐ€ 1972๋…„ ๋ฏธ๊ตญ์— ์˜จ์ง€ 53๋…„๋งŒ์ด๊ณ  ์‹œ๋ฅผ ์“ฐ๊ธฐ ์‹œ์ž‘ํ•œ์ง€ 15๋…„ ๋งŒ์ด๋‹ค. ์ด ๋…นํ™”๋ฅผ ์œ„ํ•˜์—ฌ ๋‚˜๋Š” ์‹ค์ˆ˜๊ฐ€ ์—†๋„๋ก ์ค€๋น„ํ–ˆ๋‹ค. ์˜์‚ฌ๋กœ์„œ์˜ ๋ฏธ๊ตญ์ƒํ™œ์˜ ์ฒ˜์Œ 38๋…„๊ฐ„์€ ์ฃผ๋กœ ์˜์–ด๊ถŒ์˜ ์‚ฌ๋žŒ๋“ค์„ ์ƒ๋Œ€ํ–ˆ์ง€๋งŒ ์ง€๋‚œ 15๋…„์€ ์›Œ์‹ฑํ„ด์œผ๋กœ ์ด์‚ฌ๋ฅผย  ์™€์„œ๋Š” ๊ตํšŒ๋ฅผ ๊ฐ€๋„ ๊ทธ๋ ‡๊ณ  ๊ฑฐ์˜ ๋งค์ผ ํ•œ๊ตญ์‚ฌ๋žŒ๋“ค์„ ๋งŒ๋‚ฌ๋‹ค. ๊ณจํ”„๋„ ๋งค์ฃผ ์˜๋Œ€ ๋™๊ธฐ๋“ค๊ณผ ์น˜๊ณ .ย  ํ•œ๊ตญ ๊ตํฌ์‚ฌํšŒ์—์„œ ์ฃผ๋กœ ์ƒํ™œํ•˜๋Š” ๊ด€๊ณ„๋กœ ๋‚˜์˜ ์˜์–ด๋Œ€ํ™”๋Šฅ๋ ฅ์ด ์ค„์—ˆ๋‹ค. ์–ธ์–ด๋ผ๋Š” ๊ฒƒ์€ ๋งค์ผ ์‚ฌ์šฉํ•ด์•ผ ๋œ๋‹ค. ์•„๋ฌด๋ฆฌ ์˜๋ฌธํ•™์„ ์ „๊ณตํ•˜๊ณ  ์˜๋ฌธ์ฑ…์„ ์“ฐ๊ณ  ์ฝ์–ด๋„ ์ž์ฃผ ์‚ฌ์šฉ์„ ์•ˆํ•˜๋ฉด ์†Œํ†ต์— ์žฅ์• ๊ฐ€ ์ƒ๊ธด๋‹ค. ๊ทธ๋ž˜์„œ ์ด ๋…นํ™”์— ์‹ค์ˆ˜๊ฐ€ ์—†๋„๋ก ์ค€๋น„ํ–ˆ๋‹ค. ์กฐ๊ธˆ์”ฉ ๋…ธ๋…„์— ์ฒญ๋ ฅ์ด ๋‚˜๋น ์กŒ์œผ๋‹ˆ๊นŒ ์šฐ์„  Zoom์œผ๋กœ ๋“ค์–ด์˜ค๋Š” ์ปดํ“จํ„ฐ์˜ Volume์„ ๋†’์ด๊ณ  2์ฃผ์ผ๊ฐ„ ์˜์–ด์ฑ…๋งŒ ์ฝ์—ˆ๋‹ค. ์—ญ์‚ฌ๊ฐ€ ๊นŠ์€ย  The Poet and the Poemย  by Grace Cavalieri์— ์œ ํŠœ๋ธŒ์— ๋“ค์–ด๊ฐ€์„œ ๊ณผ๊ฑฐ์— ๋‚˜์˜จ ์‹œ์ธ๋“ค๊ณผ ์–ด๋–ป๊ฒŒ ๋Œ€ํ™”๊ฐ€ ์ง„ํ–‰๋˜๋Š”์ง€๋ฅผ ๋“ฃ๊ณ  ๋ณด์•˜๋‹ค. ๊ทธ ๋‚ญ์†ก ์†๋„์™€ ๋ฐœ์Œ์˜ ์ •ํ™•์„ฑ๊ณผ ์˜ˆ์ˆ ์  ํ‘œํ˜„์„ ๋“ฃ๊ณ  ๋‚˜๋„ ์—ฐ์Šตํ–ˆ๋‹ค. ๋…นํ™”๋ฅผ ๋‚˜๋Š” ๋‚ด ์„œ์žฌ์—์„œ Zoom์œผ๋กœ ํ•˜๋‹ˆ๊นŒย  ๋ฐฐ๊ฒฝ์„ ์ •๋ฆฌํ•˜๊ณ  ์žก์Œ์ด ์•ˆ์ƒ๊ธฐ๋„๋ก ์™ธ๋ถ€์—์„œ ์˜ค๋Š” ์ง‘ ์ „ํ™”์„ ์„ ๋‘ ์‹œ๊ฐ„๋™์•ˆ ์ฐจ๋‹จํ–ˆ๋‹ค. ๋˜ ๋‚ด์ž์‹ ์˜ ๋‚ญ์†ก์„ ์ผ์ฃผ์ผ ์ „๋ถ€ํ„ฐ ํ•˜๋ฃจ์—๋„ 4-5ํšŒย  ๋…น์Œํ•ด์„œ ๋“ค์–ด๋ณด๊ณ  ์ˆ˜์ •ํ–ˆ๋‹ค. ์ด๋‚ ์˜ ๋…นํ™”๋ฅผ ์Šฌ์ฉ ์˜†์—์„œ ๊ด€์ฐฐํ•˜๋ ค๋Š” ์•„๋‚ด๋ฅผ ์‚ฌ์ •ํ•ด์„œ ๋”ด ๋ฐฉ์œผ๋กœ ๋ชจ์…จ๋‹ค. ํ˜น์‹œ ๊ธฐ์นจ์„ ํ•˜๊ฑฐ๋‚˜, ์žฌ์น˜๊ธฐ๋ฅผ ํ•˜๋Š” ์žก์Œ, ํŠนํžˆ ์„ค๊ฑฐ์งˆํ•˜๋Š” ์†Œ๋ฆฌ๊ฐ€ ๋…น์Œ์— ๋“ค์–ด์˜ค๋ฉด ๊ทธ๊ฒƒ์€ ๊ณค๋ž€ํ•˜๊ธฐ ๋•Œ๋ฌธ์ด๋‹ค. ๋ฐ์€ ์ƒ‰ ๋„ฅํƒ€์ด๋ฅผ ์˜ค๋žซ๋งŒ์— ๋งค๊ณ  ์ •์žฅ์„ ํ•˜๊ณ  ์ž˜ ์ •๋ˆ๋œ ์„ธ์žฌ์˜ ํ…Œ์ด๋ธ” ์•ž์— ์•‰์•„์„œ ์ž๋ฃŒ๋ฅผ ์ค€๋น„ํ•˜๊ณ  ์•ฝ์†์‹œ๊ฐ„์„ ๊ธฐ๋‹ฌ๋ ธ๋‹ค. ์ข…์ด๋ฅผ ์ ‘๋Š” ์†Œ๋ฆฌ๋„ ์žก์Œ์ด ๋˜๋‹ˆ ์•ˆ์ƒ๊ธฐ๋„๋ก ์กฐ์‹ฌํ–ˆ๋‹ค. ๋ฌผ๋„ ํ•œ ์ปต ์ค€๋น„ํ–ˆ๋‹ค. ๋“œ๋””์–ด 5์›” 9์ผ ๊ธˆ์š”์ผ ์˜คํ›„ 1์‹œ์— ์ •ํ™•ํ•œ ์‹œ๊ฐ„์—ย  ์‹œ์ธ Grace Cavalieri์™€ย  ๋ฏธ๊ตญํšŒ๋„์„œ๊ด€ ๋…น์Œ ๋‹ด๋‹น์ธ 30์—ฌ๋…„์˜ ๊ฒฝ๋ ฅ์„ ๊ฐ–์€ ๋ฏธ์Šคํ„ฐ Mike T.๊ฐ€ ํ™”๋ฉด์— ๋‚˜์™”๊ณ  ๊ทธ๋Š” ์ธ์‚ฌ๋ฅผ ํ•˜๊ณ  ๋…น์Œ์‹ค๋กœ ๋ฌผ๋Ÿฌ๋‚ฌ๋‹ค. ์ด์–ด์„œ ์„ค๋ ˆ์ด๋Š” ๋…น์Œ์ด ์‹œ์ž‘๋ฌ๋‹ค. ๋‚˜๋Š” ์ •์„ฑ์„ ๋‹คํ•˜์—ฌ ์ž‘ํ’ˆ์„ ํ•˜๋‚˜ํ•˜๋‚˜๋ฅผ ๋‚ญ์†กํ•˜๊ณ  ๊ทธ๋…€์™€ ๋Œ€๋‹ดํ–ˆ๋‹ค. Calvalieri ์‹œ์ธ์€ 93์„ธ์˜ ๋…ธ๋ จํ•œ ๋ฐฉ์†ก์ธ์ž ๊ทน์ž‘๊ฐ€์ด์ž ์‹œ์ธ์ด๋‹ค. ๊ทธ๋…€๋Š” ๋‚˜์ด์— ๋น„ํ•˜์—ฌ ๋†€๋ž๊ฒŒ๋„ ์ Š์€์ด์ฒ˜๋Ÿผย  ์ •์‹ ์ด ๋ง‘๊ณ  ์œ ๋ชจ์–ด์Šค๋Ÿฝ๊ณ  ํ›Œ๋ฅญํ–ˆ๋‹ค. ๋…นํ™”๋Š” ์ž˜ ์ง„ํ–‰๋˜์—ˆ๊ณ  ๋งˆ์ง€๋ง‰ ์ž‘ํ’ˆ์ธ ๋ฏธ์ฃผ ์˜๋Œ€ ํ•™์ˆ ๋Œ€ํšŒ ์—ฐํšŒ์žฅ์„ ๋ฌ˜์‚ฌํ•œ <The Most Beautiful Coupleโ€™s Dance ๊ฐ€์žฅ ์•„๋ฆ„๋‹ค์šด ๋ถ€๋ถ€์˜ ์ถค> ์„ ๋‚ญ์†กํ•˜๊ณ  ๋๋‚ฌ๋‹ค. ๊ฐ์‚ฌํ•  ๋ฟ์ด๋‹ค. ๋Œ€๋‹ด ์ผ์ฃผ์ „์— ์—ฌ๋Ÿ ํŽธ์„ ์„ ํƒํ•˜๋ผ๊ณ  ์—ฐ๋ฝ์ด ์™€์„œ ์ž‘๋…„์— ๋ฏธ๊ตญํšŒ ๋„์„œ๊ด€์—์„œ ์ฑ„ํƒ๋œ ๋‚˜์˜ ์‹œ์ง‘ย  <๋ฌด์‹ฌํ•œ๊ตฌ๋ฆ„ Callous Cloud>์— ์žˆ๋Š” 8ํŽธ์„ ๊ณจ๋ผ์„œ ์ฑ…๊ณผ ํ•จ๊ป˜ ๊ทธ๋…€์—๊ฒŒ ๋ฏธ๋ฆฌ ๋ณด๋ƒˆ๋‹ค. ์ด๋‚  ๊ณ ๋งˆ์šด ๋งˆ๋ฆฌ์•„๋ฅผ ํ•œ.์˜์œผ๋กœ ๋‚ญ์†กํ•˜๋ฉด์„œ ์‹œ์ž‘ํ•˜์—ฌ. ์˜์–ด๋กœ <์šฐํฌ๋ผ์ด๋‚˜ ์–ด๋ฆฐ์ด์—๊ฒŒ ๋ณด๋‚ด๋Š” ํŽธ์ง€, ๊ตด, ์ƒ๊ฐํ•˜๋Š” ์ˆฒ> ์œผ๋กœ ์ด์–ด์ง€๊ณ ย  ์นœ๊ตฌ์˜ ๊ณ ํ†ต์„ ์•ˆํƒ€๊นŒ์›Œํ•˜๋Š” <๋ชธ์ด ์•ˆ ์›€์ง์ธ๋‹ค>, ์›”๋‚จ์ „์ด ๊ด€๊ณ„๋œ <ํ๋А๋ผ๋А ์†Œ๋ฆฌ>, ์ œ2์˜๊ณ ํ–ฅ < ๋ผ์ด๋งˆ๋žœ๋“œ๋กœ> ์ˆœ์„œ๋กœ ๋‚ญ์†กํ–ˆ๋‹ค. ์œก์ด์˜คย  ์‚ฌ๋ณ€์‹œ์ ˆ ๋‚˜์˜ ์ด์•ผ๊ธฐ์™€ย  ์›”๋‚จ์ „์ด์•ผ๊ธฐ, ํ•ด๋ถ€ํ•™๊ต์‹ค์ด์•ผ๊ธฐ, 16์„ธ ์†Œ๋…€์˜ ๋‘๊ฐœ๊ณจ์— ๋Œ€ํ•œ ๊ฐ์‚ฌ์˜ ๊ธ€, ํ•œ๊ตญ์˜ ๊ฒฝ์ œ์ ์ธ ๋„์•ฝ์— ๋Œ€ํ•˜์—ฌ ์†Œ๊ฐœํ–ˆ๋‹ค. ๊ทธ๋ฆฌ๊ณ  6.25์ „์Ÿํ›„์˜ ๋‚™ํ›„๋˜์—ˆ๋˜ ํ•œ๊ตญ์˜ ๋†ํ•™, ๊ณตํ•™, ์˜ํ•™, ๊ต์œก์ œ๋„๋ฅผย  ๋ฐœ์ „์‹œํ‚ค๋Š”๋ฐ ๊ธฐ์—ฌํ•œย  University ofย  Minnesota Project์— ๋Œ€ํ•œ ๊ณ ๋งˆ์šด ์ด์•ผ๊ธฐ๋„ ๋ณด๋ƒˆ๋‹ค.๋ฌด์—‡๋ณด๋‹ค๋„ย  ํ•œ๊ธ€์„ ํ†ตํ•œ ์šฐ๋ฆฌ๋ฏผ์กฑ์˜ ์šฐ์ˆ˜์„ฑ์„ ํ•จ๊ป˜ ์„ค๋ช…ํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค.ย  ์ด๋ ‡๊ฒŒ ๋ฌธํ•™์„ ํ†ตํ•˜์—ฌ ์œ ํˆฌ๋ธŒ์™€ Podcast๋ฐฉ์†ก์œผ๋กœ ๋‚˜๊ฐ€๋Š” ์ด ์˜์ƒ ํ”„๋กœ๊ทธ๋žŒ์— 1์„ธ ํ•œ๊ตญ์‚ฌ๋žŒ์œผ๋กœ ์ฒ˜์Œ ์ฐธ์—ฌํ•˜๊ฒŒ ๋œ ๊ฒƒ์„ ๊ฐ์‚ฌํ•œ๋‹ค. ๋‚˜๋Š” Grace Cavalierii ์‹œ์ธ์—๊ฒŒ ์˜๋Œ€ ์‹œ๊ณ„ํƒ‘ ์‹ ๋ฌธ๊ณผ ๋ฏธ์ฃผ ์˜๋Œ€ ์‹œ๊ณ„ํƒ‘๋ฐœํ–‰ 50์ฃผ๋…„ ๋ฌธ์ง‘์„ ์˜์–ด๋กœ ์ฃผ์„์„ ๋‹ฌ์•„์„œ ๋‹ค์Œ ํŽธ์ง€์™€ ๊ฐ™์ด ๋ณด๋ƒˆ๋‹ค.ย  My Dream (๋‚˜์˜ ๊ฟˆ) ๊ทธ๊ฒƒ์€ ๋ถ„๋ช…ํžˆ ๊ธฐ์ ์˜ ๊ฟˆ์ž…๋‹ˆ๋‹ค/์ง€๋‚œ 2์›” ๋ณด์Šฌ๋น„์™€ ๊ฐ™์ด ์ฐพ์•„์™”์–ด์š”.์„ฑ ์กด์Šค ๋Œ€ํ•™์—์„œ, ์•„๋ฆ„๋‹ค์šด ์บ ํผ์Šค, ๋„์„œ๊ด€/๊ทธ๋ฆฌ๊ณ  ๋งŽ์€ ํ›Œ๋ฅญํ•œ ์—ฐ์‚ฌ๋“ค์˜ ๋ชฉ์†Œ๋ฆฌ์™€ ํ•จ๊ป˜ ์™”์Šต๋‹ˆ๋‹ค ๋„ค ๊ทธ๋ ‡์Šต๋‹ˆ๋‹ค/๋‚˜๋Š” ์—ฌ๋Ÿ์‚ด์ด์—ˆ์ง€์š” 1950๋…„์—/ํ•œ๊ตญ์ „์Ÿ์ด ํ„ฐ์ง€๊ณ  ๋‚œ ์–ผ๋งˆํ›„/๊ฐœ์ฒœ๊ฐ€ ๋Œ€๊ตฌ๋™๋ถ€ํ”ผ๋‚œ ๊ตญ๋ฏผํ•™๊ต์—์„œ ๊ตฌ๊ตฌ์…ˆ์„ ์•”์†กํ• ๋•Œ/์‹ ๋ฐœ์ด ์—†์—ˆ์–ด์š” 74๋…„ ์ „ ๊ทธ๋•Œ์—”/๊ทธ๋Ÿฐ๋ฐ ๋ณด์‹ญ์‹œ์˜ค ๋‚˜๋Š” ์ง€๊ธˆ 2025๋…„์— ์‹œ์ธ์ด ๋˜์–ด/์—ฌ๊ธฐ ๋ฏธํ•ฉ์ค‘๊ตญ ์ˆ˜๋„์— ๋‹น๋‹นํžˆ ์„ฐ์Šต๋‹ˆ๋‹ค/๋ฏธ๊ตญ ๊ตญํšŒ๋„์„œ๊ด€์ด ๋…นํ™”ํ•˜๋Š”/๋›ฐ์–ด๋‚œ ์‹œ์ธ ๊ทธ๋ ˆ์ด์Šค ์นด๋ฐœ๋ ˆ๋ฆฌ๊ฐ€ ์ฃผ๋„ํ•˜๋Š” ๋‚ด ์‹œ ๋‚ญ์†ก์„ ์œ„ํ•˜์—ฌ ์™”์Šต๋‹ˆ๋‹ค/์กด๊ฒฝํ•˜๋Š” ์‹œ์ธ๊ณผ ํ•จ๊ป˜ ์‹œ๋ฅผ ์ฝ์œผ๋‹ˆ ๊ฐ€์Šด์ด ๋œ๋‹ˆ๋‹ค ์ด๊ฒƒ์€ ๋ถ„๋ช…ํžˆ ๊ธฐ์ ์ž…๋‹ˆ๋‹ค/์ถ•๋ณต์„ ๋ฐ›์€ ๊ฒƒ์ž…๋‹ˆ๋‹ค/๋‹ฌ๋ฆฌ ์„ค๋ช…์„ ํ•  ์ˆ˜ ์—†์Šต๋‹ˆ๋‹ค/๋ง‘์€ ์Œ์„ฑ, ๋”ฐ๋œปํ•œ ์‚ฌ๋ž‘, ์ธ๋ฅ˜์• , ๊ทธ๋ฆฌ๊ณ  ์‹œ์˜ ํž˜์ด ์œ„๋Œ€ํ•ฉ๋‹ˆ๋‹ค/๋‚˜๋Š” ๊ฟˆ์†์— ์žˆ์Šต๋‹ˆ๋‹ค. ์•„์ฃผ ํ–‰๋ณตํ•œ ๊ฟˆ์ž…๋‹ˆ๋‹ค/์กด๊ฒฝ๊ณผ ๊ฐ์‚ฌ๋ฅผ ๋“œ๋ฆฌ๋ฉด์„œ ย ย ย ย ย ย  5/10/2025 ์„œ์œค์„ The Poet and the Poem with Grace Cavalieri ์ •ํ˜œ์„  1๋ถ„ ์ „ ย ย ย ย ย  Recorded by Library of Congress ย ย ย ย ย ย ย ย ย  (Seo, Youn-Seok, Virginia) ย  On May 9 th , 2025, I was invited to this program by the poet laureate of Maryland, Grace Cavalieri.ย  As I recall my high school period, there was a great class on literature given by many famous teachers such as O-young Lee, Yonghak Chang, Dongwook Shin. Mr. Lee who used to live across from Hyochang Elementary School in my neighborhood, asked me to go to a publishing company to bring a check for his manuscript. I liked poetry, but I could not hang on to it for a living. Instead, I did write my diary for a while, but when I became a medical school student, I had to concentrate on studying and working for my tuition. I left my diary-book and my premedical course diploma at my older brotherโ€™s house when I immigrated to the US in 1972 and I do not know where those are. It must have a beautiful story in it. My first published writing was an essay on Korean Physicianโ€™s Newsletter in February 1968. I was requested to write it by an editor because I at the time led a social student organization, Gunwoo Society with my friend, the late Dr. Shill Shin. The next 40 years afterward I lived as a hard-working physician like most of my classmates. Although the Poet Jong-Gi Mah resided at Toledo, Ohio near Lima where I lived. When I saw him, I wondered why he wrote poems. On 1995 I started writing essays with titles such as โ€œDiamond Mount Tripโ€, โ€œMy Friends at Pebble beachโ€, and โ€œMy dear friends at Old Course at San Andrewโ€ on my alumni newsletter, Sigetop. At my age 65 after retirement from medicine, I published a book โ€œHello Doctor Seoโ€ and I visited Seoul and purchased a monthly poetry magazine โ€œShimunhakโ€ to check how they write poems nowadays. Afterward, I started writing poems. I was impressed with a new style of poetry, and I practiced in creating my own. One day my wife advised me to apply to an official admission process to be a new poet. ย I agreed and sent my 10 poems as an applicant. On December 24, 2009, on my birthday I received great news from Poet Kyuwha Kim, the editor of Shimunhak and I became a poet. My 40 years of experience as an ENT physician helped my writing, and many poems were about life and death. The panel members for selecting poets were DukSoo Moon, Jaerung Park. Kyuwha Kim, Kyuho Shin and they praised my works on the basis of true experience rather than decorative language. I would like to acknowledge my wife, Sunja, for encouraging me to apply. She graduated from Ewha Women University where she majored in literature. We married during my military service time when we were poor financially. After serving as a medical officer at the Korean army medical school, I served another year at a remote village where there was no electricity. I recall that she always read books even under dim light and had sent a letter to my mother once a month with a check for our parents for 30years till 2005 when my mother passed away at age 97. Also, my wife is very good at spelling, and she has been the first one who read my writing and gave me her opinion with some criticism.ย  But she never writes on her own. 15 years passed since I moved from Lima Ohio to Virginia. I served as an editorial member of Seoul Nation University alumni Newsletter in the US (2013-2015) and I served as the 44 th ย president of my medical school alumni association in North America (2015-2016). I have overseen editing newsletters on Sigetop till now for the last 10years. Also, I attended the activities of Korean literary society in Washington, International PEN Korea, and YundongJu literary society. I learned typing too. All my literary involvement stimulated me to write better.ย  Several years ago, poet Hyunsook Park established English division of LSW and afterward Young-Key Kim Renaud led to publishing Song In A Second Language ย and many members participated including Yearn-Hong Choi, Sarh Song, Kwang Mi Lee, Han Hwangbo, Sukza Park, Ingee Kim, Lydia Im, Hea-ok Kang, Sam Se-Woong Ro, Haesun Jung Ravoke, Insook Kim, Me-Young Kim, Yong-Sil Kim. Meyoung Kim, Nayoung Seo, Young-Key Kim Renaud. Hyun Park-Han, and Youn-Seok Seo. For this book, Poet Grace Cavalieri previewed and made comment, <Voice as A Bridge>. Last Feb 15, 2025, at the St. Johns College, Annapolis Maryland we had book signing session after presentations by Dr. Han Hwangbo, Dr. Kwang Mi Lee, and Professor Young-Key Kim Renaud led by Maryland poet laureate Grace Cavalieri. On Marh 15, 2025, poet Grace Cavalieri invited Professor Young-Key Kim Renaud for a recording at recording room in the US Library of Congress on her English poems and reading. This was the first time any Korean born person did a reading for this program. In the past 2003, as a memorial event of 100 years immigration of Korean to America, Yearn-Hong Choi and Haeng-Ja Kim read their poems on Korean but English version were read by American and Kwi-Soon Kwon read a poem, โ€œSea gullโ€ of poet Namsu Park in Korean. In April I was surprised and excited to receive an invitation from the program The Poet and ย  the Poem ย presented by Grace Cavalieri over many years. That visual recording will be done by the US Library of Congress, and I had to read eight of my English poems and Grace Cavalieri will be in the talks together in remotely. It will be on Podcast like her other many previous programs. For me It was 15 years after I started writing poems and 53years after I came to the US. I had to prepare for this appearance. For 38 years from 1972, I was around English-speaking people but the last 15 years since I retired from medicine and I am almost only around Koreans. I had to refresh my English to do a good job for my reading. I raised the volume of computer to avoid any hearing mistakes and read only English books as much as possible. I opened many of her previous records and reviewed how other poets did it.ย  Language, we must use it often, otherwise you will lose the skill. I stopped the all other telephone lines for two hours to keep quiet for recording and cleaned the desk and prepared the background and got a cup of water. I asked my wife to go to another room to prevent any noise of coughing, sneezing, particularly dish washing sound. I dressed in formal clothes and put on a bright color necktie and waited in front of the table at 1pm, May 9 th , 2025. Finally, Grace Cavalieri and Mike T from Library appeared and he said hello and moved out to the recording room and my reading and our conversation started and lasted for 35minutes.ย  She was a 93-year-old brilliant poet and playwright and radio host of the Library of Congress. She was very humorous, compassionate and very impressive. Our recording went very well. The first poem that I presented was titled โ€œGracious Mariaโ€ and I read it in both English and Korean and the rest of poems I read in English. The last one was โ€˜the most beautiful coupleโ€™s danceโ€™ which was written during the medical convention dinner. Eight poems were sent to her 2 weeks prior to the reading and most of them were from my poetry book Callous Clouds ย which was accepted by US Library of Congress 2 years ago. I shared several of my poems that day including โ€œLetter to Children of Ukraineโ€, โ€œOysterโ€, โ€œI cannot move my bodyโ€, โ€œThinking Woods, and โ€œSobbingโ€. I had talk about Korean War, Vietnam War, anatomy class, and the skull of 16 years old girl. I had a chance to explain about the great mission by the US government and University of Minnesota to help poor Korea after the Korean War 1955-1960 prior to this presentation by mail. We were happy to have this opportunity to present Korean alphabet, Han Gull ย to an American audience. I am so honored to participate in this great visual recording of poetry reading. It was the first time for a Korean immigrant to the US. I sent my appreciation letter to her with the recent medical school alumni publications and Sigetop newsletter with limited comments in English. ย  My Dream It must be a dream in a miracle It started with the soft rain last February At St. Johnโ€™s College Beautiful campus, and library And full of lovely presentations ย  Yes, I was an eight-year-old poor child, in 1950 During the Korean War I had no shoes, 74years ago Here I am a poet, in 2025 In the United State of America Presenting my poetry for this distinguished program The Poet and the Poem Hosted by the Great Poet, Grace Cavalieri The poet I admire ย  It must be a dream in a miracle I am blessed There is no other explanation for this fact What the power of Love, Humanity and the Art of poetry are! I am still in a dream, a happy dream With my sincere appreciation ย  May 10 th , 2025,ย ย  Youn Seok Seo ย  It must be a dream of a miracle/It started with the soft rain last February/At St. Johnโ€™s College/Beautiful campus, library/and full of lovely presentations Yes, I was an eight-year-old poor child, in 1950/During the Korean War/ I had no shoes,74years ago/Here, I am a poet, in 2025/In the United State of America/Presenting my poetry during the distinguished program <The Poet and the Poem>/Hosted by Great poet, Grace Cavalieri/ The poet I admire It must be a dream of a miracle/I am blessed/There is no other explanation for this fact/ What the power of love, humanity and the art of poetry are! / I am still in a dream, happy dream/ With my sincere appreciationย  ย   5/10/2025 Youn-Seok Seo ย ๋ .

<์‹œ์ธ ๊ณผย  ์‹œ>ย  The poet and Poem with Grace Cavalieri

<์‹œ์ธ ๊ณผย  ์‹œ>ย  The poet and Poem with Grace Cavalieri ย ย ย ย ย ๋ฏธ๊ตญ ๊ตญํšŒ๋„์„œ๊ด€ย  ๋…น์Œ ๋ฐฉ์†ก ย ย ย ย ย ย ย ย ย ย  ์„œ์œค์„ ์ง€๋‚œ 5์›” 9์ผย  ๋งค๋ฆด๋žœ๋“œ ๊ณ„๊ด€ ์‹œ์ธ Grace Cavalieri ์˜ ์ดˆ์ฒญ์„ ๋ฐ›๊ณ ย  ์—ฌ๋ŸํŽธ์˜ ๋‚ด ์˜์‹œ๋ฅผ ๋‚ญ์†กํ•˜๋Š” < The poet and the poem >ํ”„๋กœ๊ทธ๋žจ ๋ฐฉ์†ก์— ๋‚˜๊ฐ”๋‹ค.ย  ๋˜๋Œ์•„๋ณด๋ฉด ๋‚˜๋Š” ๊ณ ๋“ฑํ•™๊ต ์‹œ์ ˆ ๋ถ€ํ„ฐ ์›๊ณ ๋ฃŒ ์‹ฌ๋ถ€๋ฆ„์„ ํ•ด๋“œ๋ ธ๋˜ ์ฒญํŒŒ๋™ 2๊ฐ€ ํšจ์ฐฝ๊ตญ๋ฏผํ•™๊ต ์ •๋ฌธ์•ž์— ์‚ฌ์‹œ๋˜ ์ด์–ด๋ น ์„ ์ƒ๋‹˜์„ ๋น„๋กฏํ•˜์—ฌ ์†Œ์„ค๊ฐ€ ์žฅ์šฉํ•™, ํ‰๋ก ๊ฐ€ ์‹ ๋™์šฑย  ์„ ์ƒ๋‹˜ ๊ฐ™์€ ํ›Œ๋ฅญํ•œ ๋ถ„๋“ค ํ•œํ…Œ์„œ ๋ฌธํ•™์ˆ˜์—…์„ ๋ฐ›์•˜๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ย  ์ข‹์•„๋Š” ํ–ˆ์ง€๋งŒ ์ฒ˜์Œ๋ถ€ํ„ฐ ๋‚˜๋Š” ๋ฌธํ•™์— ๋งค๋‹ฌ๋ฆด ์ˆ˜ ์—†์—ˆ๋‹ค. ๋‹ค๋งŒ ์˜์˜ˆ๊ณผ ์‹œ์ ˆ์— ์ผ๊ธฐ๋ฅผ ์ผ์„ ๋ฟ์ด๋‹ค.ย  ๋ณธ๊ณผ์— ์˜ฌ๋ผ๊ฐ€๋ฉด์„œย  ๋ถ€ํ„ฐ๋Š” ๋งˆ์Œ์„ ๊ฐ€๋‹ค๋“ฌ๊ณ  ์˜ํ•™๊ณต๋ถ€์™€ ๊ฐ€์ •๊ต์‚ฌ๋ฅผ ํ•˜๋ฉด์„œ ํ•™๋น„๋ฅผ ๋ฒŒ์–ด์•ผ ํ–ˆ๋‹ค. ๊ทธ๋•Œ ์“ด ์ผ๊ธฐ์žฅ์ด๋‚˜ ์˜์˜ˆ๊ณผ ์กธ์—…์žฅ์„ ํ˜•๋‹˜ํ•œํ…Œ ๋งˆ๋ผ๊ณ  1972๋…„ ๋ฏธ๊ตญ์œผ๋กœ ์™”์ง€๋งŒ ์ด์   ๊ทธ ํ–‰๋ฐฉ์ด ๋ฌ˜์—ฐํ•˜๋‹ค.ย  ์ Š์€ ์‹œ์ ˆ์˜ ์•„๋ฆ„๋‹ค์šด ์ด์•ผ๊ธฐ๋„...

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์ด์žฌํ›ˆ ์ˆ˜ํ•„๊ฐ€ ์„ค๋‚ ์€ ์ผ ๋…„ ์ค‘์— ๊ฐ€์žฅ ๊ธฐ๋‹ค๋ ค์ง€๋Š” ๋‚ ์ด์—ˆ๋‹ค. ๋™์ง€์˜ ํŒฅ์ฃฝ์— ๋“ค์–ด ์žˆ๋˜ ์ƒˆ์•Œ์‹ฌ์˜ ์ซ„๊นƒํ•œ ๋ง›์ด ์ž…์•ˆ์—์„œ ๋งด๋ˆ๋‹ค. ์„ค๋‚ ์€ ์•„์นจ ์ผ์ฐ๋ถ€ํ„ฐ ์˜จ ์ง‘์•ˆ์ด ๋ฐ”์˜๊ฒŒ ๋Œ์•„๊ฐ„๋‹ค. ๊ทธ๋ฏ๋ฐค์— ์ž ์„ ์ž๋ฉด ๋ˆˆ์น์ด ๋น ์ง„๋‹ค๋Š” ํ’์Šต ๋•Œ๋ฌธ์— ๋œฌ๋ˆˆ์œผ๋กœ ๋ฐค์„ ์ง€์ƒˆ์šด๋‹ค. ๋ฉฐ์น  ๋™์•ˆ ์ค€๋น„ํ•œ ์Œ์‹๊ณผ ์ œ๊ธฐ๋ฅผ ๋ณ‘ํ’ ์•ž์— ์žˆ๋Š” ์ƒ์— ์˜ฌ๋ ค๋†“๊ณ  ์ฐจ๋ก€๋ฅผ ์ง€๋‚ด๋ฉด์„œ ์„ค์€ ์‹œ์ž‘๋œ๋‹ค. ์žฌ์ˆ˜๊ฐ€ ์ข‹์•„ ํ‡ด์ฃผ์ž”์˜ ์•Œ๋”ธ๋”ธํ•œ ๋ง›์„ ๋ณด๋ฉด ๊ทธ๋‚ ์€ ์˜จ์ข…์ผ ์ฒœ๊ตญ์—์„œ ์‚ฐ ๊ฑฐ๋‚˜ ์ง„๋ฐฐ์—†๋‹ค. ์ฐจ๋ก€๊ฐ€ ๋๋‚˜๋ฉด ์‡ ๊ณ ๊ธฐ ๊ตญ๋ฌผ์˜ ๋–ก๊ตญ์— ์„ธ์ƒ์— ๋ถ€๋Ÿฌ์šด ๊ฒƒ์ด ์•„๋ฌด๊ฒƒ๋„ ์—†์—ˆ๋˜ ๋•Œ๋‹ค. ์›ƒ์–ด๋ฅธ์—๊ฒŒ ์„ธ๋ฐฐํ•˜๊ณ  ๋‚˜๋ฉด ๋•๋‹ด๋ณด๋‹ค๋Š” ์„ธ๋ฑƒ๋ˆ์— ๋” ๊ด€์‹ฌ์ด ๋งŽ์•˜๋‹ค. ์ด์ง‘ ์ €์ง‘ ๋‹ค๋‹ˆ๋ฉด์„œ ์นœ์ฒ™๊ณผ ๋™๋„ค ์–ด๋ฅธ์—๊ฒŒ ์„ธ๋ฐฐํ•˜๋ฉด ์ง‘์ง‘์ด ๋‚ด๋†“๋Š” ๊ฐ€๋ž˜๋–ก๊ณผ ์กฐ์ฒญ, ์ธ์ ˆ๋ฏธ์™€ ๋™์น˜๋ฏธ, ๋ง›์žˆ๋Š” ์Œ์‹์— ๋ฐฐ๊ฐ€ ๋‚จ์‚ฐ๋งŒํผ ๋ถˆ๋Ÿฌ๋„ ์ข‹์•˜๋‹ค. ์นœ๊ตฌ๋“ค๊ณผ ์ œ๊ธฐ์ฐจ๊ธฐ, ์ž์น˜๊ธฐ, ๋„๋›ฐ๊ธฐ, ๋…ผ์ด ์›…๋ฉ์ด์—์„œ ์ฐ๋งค ํƒ€๊ธฐ๋‚˜ ํŒฝ์ด ๋Œ๋ฆฌ๊ธฐ์— ํ•˜๋ฃจ๋ฅผ ์‹ ๋‚˜๊ฒŒ ๋ณด๋ƒˆ๋‹ค. ์„ค๋น”์˜ ์˜ท๊ณ ๋ฆ„์€ ์™ผ์ชฝ, ๋ฐ”๋ฅธ์ชฝ์„ ๋ถ„๊ฐ„ํ•˜์ง€ ๋ชปํ•ด ์ œ๋ฉ‹๋Œ€๋กœ ๋Š˜์–ด์กŒ๊ณ  ๋ฒ„์„ ์˜ ๋Œ€๋‹˜์€ ์•„์˜ˆ ์ฃผ๋จธ๋‹ˆ์— ๋„ฃ๊ณ  ๋ฐ”์ง“๋ถ€๋ฆฌ๋ฅผ ์ ‘๊ณ  ๋‹ค๋…”๋‹ค. ๋‹ค ์ €๋…์— ์ง„ํ™์œผ๋กœ ์–ผ๋ฃฉ์ง„ ์„ค๋น”์œผ๋กœ ์ง‘์— ๋Œ์•„๊ฐ€๋ฉด ์–ด๋จธ๋‹ˆ์˜ ๊พธ์ง€๋žŒ์œผ๋กœ ๊ฟ€๋ฐค์„ ๋จธ๋ฆฌ๋กœ ๋ฐ›์•„๋จน๊ธฐ๊ฐ€ ์ผ์‘ค์˜€๋‹ค. ์ €๋…๋‚˜์ ˆ์—๋Š” ์œทํŒ์— ๋™๋„ค๊ฐ€ ์‹œ๋Œ์‹œ๋Œํ•˜๊ณ , ์ €๋…์ƒ์„ ๋ฌผ๋ฆฌ๋ฉด ํ† ์ •๋น„๊ฒฐ๋กœ ํ•œํ•ด์˜ ์šด์ˆ˜๋ฅผ ์•Œ์•„๋ดค๋‹ค. ๋‚˜๊ฐ™์ด ๋ฏธ๊ตญ์—์„œ ์‚ฐ ์„ธ์›”์ด ๊ณ ๊ตญ์—์„œ ์‚ฐ ์‹œ๊ฐ„๋ณด๋‹ค ๋” ๊ธธ์–ด์„œ ๋”์šฑ ๊ณ ํ–ฅ์ด ๊ทธ๋ฆฌ์šด ๋•Œ๋‹ค. ์ด์ œ๋Š” ์ถ”์–ต ์†์—๋งŒ ์•„๋ จํ•˜๊ฒŒ ๋‚จ์•„์žˆ๋Š” ์„ค๋‚ ์˜ ํ’๊ฒฝ์ผ ์ˆ˜๋ฐ–์— ์—†๋‹ค.ย  ย  ย ์˜จ ์„ธ์ƒ์ด ๋– ๋“ค์ฉํ–ˆ๋˜ ๋ฐ€๋ ˆ๋‹ˆ์—„์ด ์ง€๋‚œ ์ง€๋„ ๋ฒŒ์จ 25๋…„์ด๋‚˜ ๋œ๋‹ค. ํญ์ฃฝ์˜ ์š”๋ž€ํ•œ ๊ต‰์Œ๊ณผ ์ƒดํŽ˜์ธ์˜ ๋‹ฌ์ฝคํ•œ ๋ง›๊ณผ ํ•จ๊ป˜ 2025๋…„์˜ ์ƒˆํ•ด๋ฅผ ๋งž์ดํ•˜๊ฒŒ ๋๋‹ค. ์–ด๋ ธ์„ ๋•Œ ์‚ฌ์šฉํ–ˆ๋˜ ๋‹จ๊ธฐ๋กœ๋Š” 4358๋…„์ด๋‹ค. ์˜ฌํ•ด๋กœ 6ยท25 ์ „์Ÿ์ด ๋ฐœ๋ฐœํ•œ ์ง€๊ฐ€ ์–ด๋А๋ง 75๋…„์ด๋‚˜ ์ง€๋‚ฌ๊ฑด๋งŒ ์•„์ง๋„ ๋‚จ๋ถ์€ ๊ธด์žฅ์„ ๋ฉˆ์ถ”์ง€ ๋ชปํ•˜๊ณ  ์„œ๋กœ ์ด๋ถ€๋ฆฌ๋ฅผ ๊ฒจ๋ˆ„๊ณ  ์žˆ๋‹ค๋Š” ์‚ฌ์‹ค์— ๊ฐ€์Šด์ด ๋ชน์‹œ ์ €๋ฆฌ๋‹ค. ์ผ ๋ถ„์ด 60์ดˆ, ํ•œ ์‹œ๊ฐ„์ด 3,600์ดˆ์ธ๋ฐ ํ•˜๋ฃจ๊ฐ€ ๋ช‡ ์ดˆ์ธ์ง€๋Š” ๋ชจ๋ฅด๋Š” ์‚ฌ๋žŒ์ด ๋” ๋งŽ๋‹ค. ํ•˜๋ฃจ 24์‹œ๊ฐ„์— 3,600์ดˆ๋ฅผ ๊ณฑํ•˜๋ฉด 86,400์ดˆ๊ฐ€ ๋‹ต์ด๋‹ค. ๊ทธ๋ ‡์ง€๋งŒ ์ง€๊ตฌ๊ฐ€ ์‹œ์† 1,000๋งˆ์ผ๋กœ ์ž์ „ํ•˜๋Š” ์‹œ๊ฐ„์€ ์ •ํ™•ํ•˜๊ฒŒ 23์‹œ๊ฐ„ 56๋ถ„ 4์ดˆ์ด๊ธฐ ๋•Œ๋ฌธ์— ํ•˜๋ฃจ๋Š” 86,164์ดˆ๊ฐ€ ์ •๋‹ต์ด๋‹ค. ์ง€๊ตฌ๊ฐ€ ํ•ด์˜ ๊ถค๋„(67,000๋งˆ์ผ)๋ฅผ ํ•œ ๋ฐ”ํ€ด ๋„๋Š” ๊ธฐ๊ฐ„์€ 365.25์ผ์ด๋‹ค. ์ผ ๋…„ ํ•˜๊ณ  ํ•˜๋ฃจ์˜ 1/4(6์‹œ๊ฐ„)์ด ๋” ๋งŽ์•„ 4๋…„๋งˆ๋‹ค 2์›”์— ์œค๋‹ฌ์„ ๋งŒ๋“ค์—ˆ๋‹ค. ๋™์–‘์—์„œ ์ฃผ๋กœ ์‚ฌ์šฉํ•˜๋Š” ์Œ๋ ฅ์˜ ํ•œ ๋‹ฌ์€ 29.53์ผ์ด๋‹ค. ์–‘๋ ฅ๊ณผ ๊ณ„์ ˆ์„ ๋งž์ถ”๊ธฐ ์œ„ํ•ด 3๋…„์— ํ•œ ๋‹ฌ, 8๋…„์— ์„ ๋‹ฌ์„ ์œค๋‹ฌ๋กœ ๋ผ์›Œ ๋„ฃ๋Š”๋‹ค. ์˜ฌํ•ด์˜ ์Œ๋ ฅ ์œค๋‹ฌ์€ ์œ ์›”์ด๋‹ค. 2025๋…„์€ ์œก์‹ญ ๊ฐ„์ง€์˜ ๋งˆํ”๋‘ ๋ฒˆ์งธ ํ•ด์ธ ์„์‚ฌ๋…„(๋ฑ€๋ )์ด๋‹ค. ์šฐ๋ฆฌ ์—ญ์‚ฌ์— ํฐ ์˜ค์ ์„ ๋‚จ๊ธด ์„์‚ฌ๋Š‘์•ฝ์ด 120๋…„ ์ „์ธ 1905๋…„์— ์ฒด๊ฒฐ๋๋‹ค. ๊ฐ™์€ ํ•ด์— ํƒœ์–ด๋‚œ ์•„๋ฒ„์ง€๋Š” ํ•œ ๋‚˜๋ผ์˜ ์ด๋ฆ„์ด ๋‹ค์„ฏ ๋ฒˆ์ด๋‚˜ ๋ฐ”๋€Œ๋Š” ๊ฒฉ๋™์˜ ์‹œ๋Œ€๋ฅผ ์ˆจ๋„ ์ œ๋Œ€๋กœ ๋ชป ์‰ฌ๊ณ  ๊ฒช์—ˆ๋‹ค. ๋‹ค ์ง€๋‚˜๊ฐ„ ์–˜๊ธฐ๋ผ์„œ ํ•œ๊ฐ€ํ•˜๊ฒŒ ๋งํ• ์ง€ ๋ชจ๋ฅด์ง€๋งŒ, ๊ทธ ์‹œ๋Œ€๋ฅผ ๋˜๋Œ์•„๋ณด๋ฉด ๋ชธ์ด ๋ถ€๋ฅด๋ฅด ๋–จ๋ฆฐ๋‹ค. ย  ย ์ด๋Ÿฌ๋‚˜์ €๋Ÿฌ๋‚˜ ์ƒˆํ•ด๊ฐ€ ์˜ค๋Š” ๊ฒƒ์€ ์ฆ๊ฑฐ์šด ์ผ์ด์ง€๋งŒ, ์˜ฌํ•ด์˜ ์ง€๊ตฌ ์ธ๊ตฌ๊ฐ€ 82์–ต์„ ํ›Œ์ฉ ๋„˜์—ˆ๋‹ค. ์—„์ฒญ๋‚œ ์ˆซ์ž๋‹ค. ์˜ˆ์ˆ˜๊ฐ€ ํƒ„์ƒํ–ˆ์„ ๋ฌด๋ ต์—๋Š” ์„ธ๊ณ„ ์ธ๊ตฌ๊ฐ€ 2์–ต์ด์—ˆ๊ณ , 1800๋…„์—์•ผ ๊ฒจ์šฐ 10์–ต์œผ๋กœ ๋Š˜์–ด๋‚ฌ๋‹ค. 1900๋…„์— 16์–ต์„ ๋„˜์–ด 1950๋…„์— 25์–ต, 1980๋…„์— 44์–ต, 2000๋…„์— 61์–ต์ด์—ˆ๋‹ค. ์ •๋ง๋กœ ๋†€๋ผ์šธ ์ •๋„๋กœ ์ธ๊ตฌ๊ฐ€ ๋น ๋ฅด๊ฒŒ ๋Š˜์–ด๋‚˜๊ณ  ์žˆ๋‹ค. 2030๋…„์—๋Š” 90์–ต์ด ๋„˜์„ ๊ฑฐ๋ผ๊ณ  ํ•œ๋‹ค. ์ง€๊ตฌ์˜ ์ง€๋ฆ„์€ 12,742km์ด๋ฉฐ ๋‘˜๋ ˆ๋Š” 40,075km์ด๋‹ค. 80์–ต์˜ ์‚ฌ๋žŒ์ด ์–‘ํŒ”(ํ‰๊ท  1.5m)์„ ๋ฒŒ๋ ค์„œ ์„œ๋กœ ์†์„ ์žก์•„ ์ง€๊ตฌ์˜ ์ ๋„๋ฅผ ๋”ฐ๋ผ์„œ ์„œ๋ฉด ์„ธ ๋ฐ”ํ€ด๋ฅผ ๋Œ ์ˆ˜ ์žˆ๋‹ค๊ณ  ํ•œ๋‹ค. ์œก์ง€์˜ ์‚ฌ๋ฐฉ 1km ์•ˆ์— 53๋ช…์ด ์‚ฐ๋‹ค๊ณ  ํ•œ๋‹ค. ์šฐ์Šค๊ฐฏ์†Œ๋ฆฌ๋กœ ์˜ˆ์ˆ˜๊ฐ€ ๋ฐ€๋ ˆ๋‹ˆ์—„์— ์žฌ๋ฆผํ•˜๋ ค๋‹ค๊ฐ€ ์‚ฌ๋žŒ์ด ํ•˜๋„ ๋งŽ์•„์„œ ๋‹ค์Œ ๋ฐ€๋ ˆ๋‹ˆ์—„๊นŒ์ง€ ๊ธฐ๋‹ค๋ฆฌ๋Š” ๊ฒŒ ์ข‹์„ ๊ฐ™๋‹ค๊ณ  ์‚ฌ๋„ ๋ฒ ๋“œ๋กœ๊ฐ€ ๊ฐ„์ฒญํ–ˆ๋‹ค๊ณ  ํ•œ๋‹ค. ย  ย ์—ฐ๋ง์—ฐ์‹œ์—๋„ ํ•œ์‹œ๋„ ์‰ด ์‚ฌ์ด ์—†์ด ์ •์น˜ ๋ถ„์—ด, ์ข…๊ต๋ถ„์Ÿ, ์ž์—ฐ ์žฌ๋‚œ ๋“ฑ ์Šฌํ”ˆ ์†Œ์‹๋ฟ์ด๋‹ค. ์ด๋Ÿฐ ๋ชจ๋“  ๊ฒƒ์€ ์‚ฌ๋žŒ์ด ๋„ˆ๋ฌด ๋งŽ์•„ ์„œ๋กœ ๋ถ€๋”ช์น˜๋ฉฐ ์‚ด๋‹ค๊ฐ€ ๋ณด๋‹ˆ ๋งˆ์ฐฐ์ด ์ผ์–ด๋‚˜๊ณ  ์‚ถ์˜ ๊ธฐ๋ณธ ์š•๊ตฌ๋ฅผ ํ•ด๊ฒฐํ•˜๊ธฐ ์œ„ํ•ด ์ผ์–ด๋‚˜๋Š” ์ผ์ด๋‹ค. ๊ทธ ๋์ด ์–ด๋””์ธ์ง€ ์•Œ ์ˆ˜๊ฐ€ ์—†๋‹ค. ์ธ๊ตฌ๊ฐ€ ๊ฐ€ํŒŒ๋ฅด๊ฒŒ ๋Š˜๋ฉด์„œ ํ™˜๊ฒฝ ํŒŒ๊ดด๋Š” ๊ฐ€์†๋„๊ฐ€ ๋ถ™์—ˆ๋‹ค. ์–ผ๋งˆ ์ „์— ์ฝ์€ ์ฑ…์— โ€˜์ง€๊ตฌ์ƒ์˜ ์ธ๊ตฌ๊ฐ€ ์•ผ์ƒ ์—ฐ์–ด๋ณด๋‹ค ์ผ๊ณฑ ๋ฐฐ๋‚˜ ๋งŽ๋‹คโ€˜๋ผ๊ณ  ํ•˜๋Š” ๊ธฐ์‚ฌ๋ฅผ ์ฝ์€ ์ ์ด ์žˆ๋‹ค. ๊ทธ ๋งŽ๋˜ ์—ฐ์–ด๊ฐ€ ์‚ฌ๋ผ์ง€๊ฒŒ ๋˜์ž ์–‘์‹์œผ๋กœ ์ˆ˜์š”๋ฅผ ๊ฐ„์‹ ํžˆ ์ฑ„์šฐ์ง€๋งŒ, ์—ฐ์–ด ๊ณ ๊ธฐ 1kg์„ ์–‘์‹ํ•˜๊ธฐ ์œ„ํ•ด ์‚ฌ๋ฃŒ๋ฅผ 3kg์„ ๋จน์ธ๋‹ค๋ฉด ๊ทธ ๋’ท๊ฐ๋‹น์„ ์–ด๋–ป๊ฒŒ ํ• ์ง€ ๋ชจ๋ฅด๊ฒ ๋‹ค๋Š” ๊ธ€์— ๊ณ ๊ฐœ๋ฅผ ๊ฐธ์šฐ๋šฑํ•˜๋ฉด์„œ ๋†€๋ž๋‹ค. ์„ ์ง„๊ตญ์—์„œ๋Š” ์ธ๊ตฌ๋ณด๋‹ค ์ฐจ๋Ÿ‰์ด ๋” ๋งŽ๋‹ค. ์ด ์ฐจ๋“ค์ด ์›€์ง์ด๋ ค๋ฉด ์ ์ง€ ์•Š์€ ์—ฐ๋ฃŒ๊ฐ€ ์†Œ๋ชจ๋˜๋ฉฐ ๋ชจ๋‘ ์ด์‚ฐํ™”ํƒ„์†Œ๊ฐ€ ์•„๋‹ˆ๋ฉด ๋ฏธ์„ธ๋จผ์ง€๋กœ ๋ณ€ํ•ด ๊ณต๊ธฐ๋ฅผ ์˜ค์—ผ์‹œํ‚จ๋‹ค. ์„์œ ๋„ 50๋…„ ์•ˆ์— ๋ฐ”๋‹ฅ์ด ๋‚œ๋‹ค์ง€๋งŒ ๋‹ค๋ฅธ ์ž์›์€ ๊ทธ ์ „์— ๊ณ ๊ฐˆ์ด ๋‚  ๊ฑฐ๋ผ๊ณ  ํ•ด์„œ ๊ฑฑ์ •์ด๋‹ค. ํ•œ ํ•ด์— ์ˆ˜๋ฐฑ ์ข…์˜ flora*์™€ fauna*๊ฐ€ ๋ฉธ์ข…ํ•œ๋‹ค. ๊ฐ€๋ญ„์œผ๋กœ ๋ฐ”๋‹ฅ์ด ์ฉ์ฉ ๊ฐˆ๋ผ์ง„ ํ˜ธ์ˆ˜, ๋ถˆ๋”์œ„๋กœ ๋ถˆํƒ€๋Š” ์‚ฐ๋ฆผ, ์˜จ๋‚œํ™”๋กœ ๋…น์•„๋‚ด๋ฆฌ๋Š” ๋น™ํ•˜, ํ•ด์ˆ˜์˜ ์˜จ๋„ ์ƒ์Šน, ์”จ๊ฐ€ ๋ง๋ผ๊ฐ€๋Š” ๋ฌผ๊ณ ๊ธฐ๋ฅผ ๋ณด๋Š” ์šฐ๋ฆฌ์˜ ์‹œ๊ฐ์„ ์ด์   ๋”๋Š” ์ˆจ๊ธธ ์ˆ˜๊ฐ€ ์—†๋‹ค. ์ง€๊ตฌ ํ‘œ๋ฉด์˜ 70%์ธ ๋ฐ”๋‹ค์—๋Š” ํ”Œ๋ผ์Šคํ‹ฑ, ์‚ฐ์—… ์ž”์žฌ, ํ‡ด์ ๋ฌผ๋กœ ๊ฐ€๋“ํ•ด ๋ฌผ๊ณ ๊ธฐ๊ฐ€ ์‚ด๊ธฐ์— ๋ถˆํŽธํ•˜๋‹ค๊ณ  ํ•œ๋‹ค. ์–ธ์  ๊ฐ€ ํ•ด๋ณ€์— ์ฃฝ์€ ๊ณ ๋ž˜๋ฅผ ํ•ด๋ถ€ํ–ˆ๋Š”๋ฐ ์œ„์žฅ์—์„œ 24kg์ด๋‚˜ ๋˜๋Š” ๊ฐ์ข… ํ”Œ๋ผ์Šคํ‹ฑ์ด ๋‚˜์™”๋‹ค๋Š” ์‹ ๋ฌธ ๊ธฐ์‚ฌ๋ฅผ ์ฝ์—ˆ๋‹ค. ๋˜ํ•œ ์ฒญ์ •์ง€์—ญ์ด๋ผ๊ณ  ๋ถˆ๋ฆฌ๋Š” ์ง€์—ญ์—์„œ ์žก์€ ๋ฌผ๊ณ ๊ธฐ๋ฅผ ์ •๋ฐ€ ๊ฒ€์‚ฌํ•œ ๊ฒฐ๊ณผ ๊ฑด๊ฐ•์— ์œ„ํ—˜ํ•  ์ •๋„์˜ ํ”Œ๋ผ์Šคํ‹ฑ ๋ฏธ์„ธ ๋ถ„์ž๊ฐ€ ์กด์žฌํ•œ๋‹ค๊ณ  ์ „ํ–ˆ๋‹ค. 2050๋…„์—๋Š” ํ”Œ๋ผ์Šคํ‹ฑ์ด ๋ฐ”๋‹ค์˜ ๋ฌผ๊ณ ๊ธฐ๋ณด๋‹ค ๋” ๋งŽ๊ฒŒ ๋  ๊ฒƒ์œผ๋กœ ์ถ”์ธกํ•œ๋‹ค. ์šฐ๋ฆฌ๊ฐ€ ํ•ด์‚ฐ๋ฌผ์„ ๋จน๋Š” ๊ฒŒ ์•„๋‹ˆ๋ผ ์ด์   ํ”Œ๋ผ์Šคํ‹ฑ์œผ๋กœ ๋ณ€์กฐ๋œ ์Œ์‹์„ ๋จน์„์ง€๋„ ๋ชจ๋ฅธ๋‹ค. ์ธ๊ฐ„์ด ์ž์ดˆํ•œ ๊ณตํ•ด๊ฐ€ ์ด์•Œ๋ณด๋‹ค ํ›จ์”ฌ ์œ„ํ˜‘์ ์ด๋ผ๊ณ ๋„ ๋งํ•œ๋‹ค. ย  ย ์šฐ๋ฆฌ ํ›„์†์—๊ฒŒ ๋ฌผ๋ ค์ค„ ์ง€๊ตฌ๊ฐ€ ์˜จํ†ต ์“ฐ๋ ˆ๊ธฐ๋กœ ๋ณ€ํ•ด์„œ ์‚ฌ๋žŒ์ด ์‚ด๊ธฐ์— ์ ๋‹นํ•˜์ง€ ์•Š๋‹ค๋ฉด ๋„ˆ๋ฌด๋‚˜ ์Šฌํ”ˆ ์ผ์ด๋‹ค. ์šฐ๋ฆฌ๊ฐ€ ์ง€ํ‚ค์ง€ ์•Š์€ ํ•œ ์•„๋ฌด๋„ ๋„์™€์ฃผ์งˆ ์•Š๋Š”๋‹ค. ๋” ๋Šฆ๊ธฐ ์ „์— ๋ชจ๋‘ ๋จธ๋ฆฌ๋ฅผ ๋งž๋Œ€๊ณ  ๊ณ ์‹ฌํ•˜์—ฌ ์†์„ ๋ณผ ์ผ์ด๋‹ค. ๊ทธ๊ฒŒ ์ƒˆํ•ด๋ฅผ ๋งž์ดํ•˜๋Š” ๋‚˜์˜ ๊ฐ„์ ˆํ•œ ๋ฐ”๋žŒ์ด์ž ๋‚ด๊ฐ€ ํ•ด์•ผ ํ•  ์ผ ์ค‘์˜ ํ•˜๋‚˜๋‹ค. ย  * Fauna(๋™๋ฌผ๊ตฐ) * Flora(์‹๋ฌผ๊ตฐ) ย  ย ย  ย  ์ˆ˜ํ•„๊ฐ€, ์†Œ์„ค๊ฐ€ ์›Œ์‹ฑํ„ด๋ฌธ์ธํšŒ ํšŒ์› usajae@gmail.com

<ํ•ด์™ธ๊ธฐํš-์›Œ์‹ฑํ„ด ๋ฌธ์ธํšŒ> ์ƒˆํ•ด๋ฅผ ๋งž์ดํ•˜๋ฉฐ/์ด์žฌํ›ˆ

์ด์žฌํ›ˆ ์ˆ˜ํ•„๊ฐ€ ์„ค๋‚ ์€ ์ผ ๋…„ ์ค‘์— ๊ฐ€์žฅ ๊ธฐ๋‹ค๋ ค์ง€๋Š” ๋‚ ์ด์—ˆ๋‹ค. ๋™์ง€์˜ ํŒฅ์ฃฝ์— ๋“ค์–ด ์žˆ๋˜ ์ƒˆ์•Œ์‹ฌ์˜ ์ซ„๊นƒํ•œ ๋ง›์ด ์ž…์•ˆ์—์„œ ๋งด๋ˆ๋‹ค. ์„ค๋‚ ์€ ์•„์นจ ์ผ์ฐ๋ถ€ํ„ฐ ์˜จ ์ง‘์•ˆ์ด ๋ฐ”์˜๊ฒŒ ๋Œ์•„๊ฐ„๋‹ค. ๊ทธ๋ฏ๋ฐค์— ์ž ์„ ์ž๋ฉด ๋ˆˆ์น์ด ๋น ์ง„๋‹ค๋Š” ํ’์Šต ๋•Œ๋ฌธ์— ๋œฌ๋ˆˆ์œผ๋กœ ๋ฐค์„...

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Nayoung Bishoff  Introduction Oscar Wilde employs the element of artโ€”portraitureโ€”in The Picture of Dorian Gray  (1890). Wilde describes how Dorian Gray appears perfect, satisfying social expectations, while Grayโ€™s hidden portrait becomes stained over time. This article will explore how this stained portrait symbolizes Grayโ€™s hidden self beyond his persona and how the South Korean popular music (K-pop) group BTS (Beyond the Scene) reinterprets this idea in their short film series Wings  (2016) within South Korean context. I will first demonstrate how BTSโ€™s intertextuality with Western literature, including The Picture of Dorian Gray , expands the definition of adaptation through a transnational lens. By incorporating elements of this classic novel into their work, BTS not only reimagines the story for the global audience but also highlights the fluidity of literary themes. This approach underscores the transformative power of adaptation, showing how different cultural contexts can work together to create resonant messages that transcend traditional boundaries. Through a comparative analysis between Wings  and The Picture of Dorian Gray , I will further explain how BTS, with nearly all of its members coming from working-class families, conveys the message of self-discovery in the stifling environment of South Korea. Like young people in Victorian England, Korean youths are often taught to adhere to the ideal standards set by their elders and struggle to express their own thoughts or beauty. This pressure often leads to depression and a high suicide rate among young people. According to a 2023 BBC article by Serin Ha, South Korea has consistently ranked among the countries with the highest suicide rates in the OECD (Organization for Economic Co-operation and Development) since 2003. This high rate of suicide is particularly prevalent among young people, with more than two in five deaths among teenagers and over half of deaths among those in their twenties attributed to suicide (Ha, 2023). Through their sincere storytelling in Wings , BTS portrays their own โ€œstainedโ€ portraits on stage, sharing genuine narratives of the mental, social, and generational challenges they faced during their youths. By emphasizing the importance of expressing their true selves despite the expectations of older generations, BTS demonstrates the journey of discovering a youthโ€™s liberating identity amidst societal pressures to conform. K-Popโ€™s Intertextual Links to Western Classics As exemplified by Wings โ€™ reference to Western literature, Korean studies scholar CedarBough T. Saeji attributes the success of K-popโ€™s global popularity to its intertextual connections with literature worldwide. She argues how โ€œ[t]he use of intertextual links to familiar and widely known texts welcomes everyone to enjoy K-pop not as a foreign language but as a new field of cultural playโ€ (Saeji 60). Their use of texts extends beyond Korean literature to include Western classics. Saeji explains how Koreans have been exposed to Western classics through their historical engagement with America: Historically, there has been a long engagement between Americans and Koreans, particularly in education. In the 1800s, there was a US-Korean treaty and the arrival of American missionaries who shaped the Korean education system. In part due to this length of engagement, the average Korean knows the Western classics as well as various important Korean works, and to many Koreans these stories are as familiar and beloved as the Korean ones. Post 1945, there was a growth in literary scholarship in English in Korea, and this was seen as a source of modernization. Second, although this may not be as true in all countries around the world, in fact American and English classics from Moby Dick  to Frankenstein  are very widely known (51). Familiar with both Korean and English classics, K-pop groups like BTS often employ themes or concepts found in Western classics in their artistic works such as music videos (MVs). Saeji notes how โ€œwithin the short 3- to 5-minute time span of MVs, intertextual references to non-Korean cultural elements frequently refer to classic and widely known works of Euro-American fictionโ€ (51). To analyze such intertextual references in their artworks, fans are interested in reading and analyzing books that have been mentioned by BTS. Based on books recommended and introduced by BTSโ€™s leader RM (Namjoon Kim) in his interviews or magazines, fans have started to seek out and read these books to better connect with their artistic works. These efforts are not limited to the Korean fan community but extend globally. In 2021, fans created a website titled Namjoonโ€™s Library , where they can easily discover the books RM and other BTS members have discussed. The website provides further information about how those books are mentioned by him in different interviews, broadcasts, or social media platforms. The website is regularly updated with new literature (see Figure 1). His book recommendations not only include Korean literature such as Han Kangโ€™s Human Acts  (2014), but also Western classics such as Albert Camusโ€™ The Stranger (1942), George Orwellโ€™s Nineteen Eighty-Four (1949), and Franz Kafkaโ€™s The Metamorphosis (1915). If you want to continue to read, please click link below and visit  LFQ Literature/FilmQuarterly . โšก Beyond The (K-Pop) Scene: BTSโ€™s Wings and Oscar Wildeโ€™s The Picture of Dorian Gray, Nayoung Bishoff, Literature Film Quarterly

Beyond The (K-Pop) Scene: BTSโ€™s Wings and Oscar Wildeโ€™s The Picture of Dorian Gray

Nayoung Bishoff Introduction Oscar Wilde employs the element of artโ€”portraitureโ€”in The Picture of Dorian Gray (1890). Wilde describes...

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โ€œThere is nothing good or bad but thinking makes it so.โ€ โ€“ Shakespeare At Johannesburg airport on February 2, 2014, while waiting to be picked up to go to a hotel, I was trying to count how many airplanes I had taken in my life. I could remember 32 countries and at least 50 different cities. I was not sure whether I should be thankful for all those past trouble-free trips or be saddened by what I was still facing. My original itinerary had been to depart Washington, D.C. on Saturday morning at 10 a.m. and arrive in Maseru, Lesotho on Sunday afternoon via Addis Ababa, Ethiopia and Johannesburg, South Africa. By this time Sunday night, I was supposed to have already checked in at my hotel in Maseru and been getting ready for work on Monday. Instead, it was Sunday night and I was in Johannesburg. I had arrived via Addis Ababa and Dar Es Salaam, Tanzania. While checking in my luggage in Dulles airport, I was told that my flight would be delayed a little bit. As I had a layover of more than three hours in Addis Ababa, I was not concerned much at that point. As the delay got longer and longer, I started to worry. After more than two hours I argued with the airline gate agent about rerouting my itinerary as I would miss the connection flight. But the agent was adamant and said, โ€œDonโ€™t worry. You will still have a chance to catch the connection flight. Even if you miss it, you can find many routes in Addis Ababa.โ€ I missed my connection in Addis Ababa, of course, and found the airport overcrowded with so many others who had missed theirs as well. At the airline counter, people who obviously were very tired from a long flight were anxiously waiting in line; soon I became one of them. When it got to my turn, I was first offered an overnight stay at a hotel there and then a flight the next day at the same time as my original connection, which meant that I would have to miss work on Monday as I would arrive in Maseru in the late afternoon. Since I insisted on finding another route to make it to work on Monday morning, she found the route via Dar Es Salaam that I was on. This route would allow me to arrive in Johannesburg on Sunday evening and then I could take a 6 a.m. flight to Maseru. When I asked about my luggage, she comforted me by saying that it would arrive in Johannesburg. Then, I ran to catch my flight. After about a three-hour flight from Addis Ababa, I arrived at the airport in Dar Es Salaam. They required everyone to show their passports to reprocess airline tickets for their connecting flights, which seemed quite unusual. In front of a small transit counter staffed by just two agents, people were pushing to hand over their passports first since there was no proper waiting line. One agent collected all the passports and tickets, and the other collected all the baggage check receipts; then, both of them disappeared after saying just โ€œWAIT!โ€ While waiting, I tried to find a Wi-Fi hotspot so I could inform my colleagues of my trouble. Some people I asked looked at me and wondered, โ€œWhatโ€™s Wi-Fi?โ€ and then a guy said to me, โ€œThereโ€™s no Wi-Fi in this airport.โ€ After a while, the agent who had taken my baggage check receipts came back and said to me, โ€œI couldnโ€™t find your luggage.โ€ And then the agent who had taken all the passports and tickets returned, and gave everyone back their passports and reissued tickets. โ€œAt least I received my passport and tickets,โ€ I thought, dismissing the worry about my luggage. Once I left the transit counter, I was able to find a business lounge where Wi-Fi was available. It overjoyed me I could email my colleagues about my journey and promised to inform them what time I could arrive in Maseru once I found out at Johannesburg airport. From Dar Es Salaam to Johannesburg, the flight with South African Air (SAA) was quite pleasant with a good selection of movies. I chose Gravity  and, by the time I had finished the movie, the plane arrived in Johannesburg. At the baggage carousel, I waited for my suitcases until all the other bags were picked up. When I asked some agents there, they told me that I should go to the airline desk to report my luggage as missing. So I went to the SAA desk and was told that it was Ethiopian Airโ€™s responsibility since I had flown out from D.C. with them. She added kindly that the SAA desk couldnโ€™t even track where my luggage would be. Then when I asked about my flight to Maseru the following morning, she said to me, โ€œSorry to tell you this: your ticket from Johannesburg to Maseru got cancelled in Addis Ababa when you were rerouted. If you want to go to Maseru, you have to buy a ticket.โ€ The agent also said that since my ticket was issued and rerouted through Ethiopian Air, I had to go to their desk to find out the details about the cancelled flight to Maseru. When I went to the information desk to ask where the Ethiopian Air desk was, the lady at the information desk, whose name tag said โ€˜Jamie,โ€™ told me that it would be open only for a few hours during the day since they had only one flight at 2 p.m. daily; so I would have to wait until the following afternoon if I wished to talk to them. I felt like Sandra Bullock in the movie Gravity  where she faced problem after problem while in space. I was about to collapse. As if Jamie noticed the seriousness of my problem, she asked me whether there would be anything else she could help with. Once I explained to her my situation, she comforted me by saying that she could recommend a good hotel at a decent price, informing me that a big mining conference had made all the big hotels either fully booked or hike up their prices. After she made a few calls, she told me that a hotel driver would come and pick me up in about half an hour. Then I asked her, โ€œHow would I know who it is?โ€ She smiled at me and said, โ€œDonโ€™t worry. Iโ€™ll walk with you when he comes.โ€ While waiting for the hotel driver, I walked around to find a store where I could buy necessary items to survive overnight without my luggage. When I came back to Jamie, she told me that the driver was running late due to traffic. So I sat down on a bench next to a window. It was already quite dark. My phone was dead and since I didnโ€™t wear a watch, I wasnโ€™t sure how late it was. I opened up my computer to check the time. It was close to 9 p.m. and then, all of a sudden, I felt so hungry and worried about my family who might be waiting for my call. When I started struggling to find a Wi-Fi signal to communicate with my family and colleagues, Jamie called over to me.ย  A Caucasian guy with a military look had shown up to pick me up. After saying a BIG thank you to Jamie, I followed the driver to a parking lot. He introduced himself as the owner of a hotel called Blue Mango. Then, he talked about how he started his business with his wife just about a year ago and continued his story while driving. Originally from England, he met his wife here and while he was away in a war, his wife prepared this business by remodeling the guesthouse in his house. Ever since they opened up, the business was booming and they had added more rooms in that guesthouse. He seemed so proud of his hotel. His hotel was more like a small B&B. It had a beautiful garden, though. His wife was cooking in a small kitchen with their children. He led me to a windowless 8 ft. by 8 ft. room that had a tiny sink and shower for a bathroom. โ€œWell, I would stay here only for six hours as I have to catch an early flight. Besides, at least they have free Wi-Fi,โ€ I thought to myself. The next morning, I left for the airport at 4:45 a.m. I ended up having to pay for the one-way ticket from Johannesburg to Maseru. I finally got on the plane and arrived in Maseru at around 8 a.m. From when I left my home at around 8 oโ€™clock on Saturday morning, it was a more than 36 hour journey. And my luggage still hadnโ€™t arrived. I went to the central bank for my work project wearing the same yoga pants and gray t-shirt Iโ€™d been wearing since I left my home on Saturday morning. After work I wished to buy a few clothes but I was told that all the shops in Maseru close at around four oโ€™clock in the afternoon. The next morning, I was about to go out for shopping to buy some clothes after finishing urgent work at the central bank; the central bankโ€™s project manager came with a big smile and said to me, โ€œI have good news for you.โ€ Then, the central bankโ€™s driver took me to the airport to get my luggage. I felt euphoric when I saw my luggage at the airport. The lady at the Maseru airport baggage claim center, whom I reported my lost luggage to when Iโ€™d arrived the day before, said to me, โ€œYou are so lucky. I didnโ€™t imagine your luggage would arrive here as your rerouting sounded so complicated.โ€ At the moment it felt a little ironic hearing the word โ€˜luckyโ€™ after having experienced this much trouble and also that I was so thankful for nothing new but my old luggage. On the way back from Maseru to home I finished reading Alan C. Foxโ€™s book, People Tools: 54 Strategies for Building Relationships, Creating Joy, and Embracing Prosperity,  which I bought at the Dulles airport while waiting for the delayed departure. In one of the chapters, titled โ€œGreen Grass Now,โ€ Fox shared his experience: โ€œIn one group exercise, I was asked to write down the most important persons or things in my life. I did first, then second and up to the tenth. Next I was asked to imagine the tenth item disappearing; then the ninth, the eighth. By the time I imagined #1 vanishing, I cried. The entire group became a circle of tears. Then the leader asked us to imagine #10 coming back into our lives. Then #9. By the time I reclaimed #1, whatever it was, I felt euphoric.โ€ It is a week before Thanksgiving. I hope everyone had a year full of harvest. In case of only a little harvest or even no harvest at all this year, I wish all of us could be thankful for the blessings of what we havenโ€™t lost. (November 2014) (Author's note) My literary journey started with this essay. In November 2014,ย I happened to see the annual contest announcement by the Korean Literary Society of Washington (KLSW) and wrote this in Korean on the final day of the contest and submitted in a rush. Since then, I've been writing essays in both Korean and English as a member of the KLSW.

Thanksgiving

โ€œThere is nothing good or bad but thinking makes it so.โ€ โ€“ Shakespeare At Johannesburg airport on February 2, 2014, while waiting to be...

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Recorded by Library of Congress ย ย ย ย ย ย ย ย ย  (Seo, Youn-Seok, Virginia) ย  On May 9 th , 2025, I was invited to this program by the poet laureate of Maryland, Grace Cavalieri.ย  As I recall my high school period, there was a great class on literature given by many famous teachers such as O-young Lee, Yonghak Chang, Dongwook Shin. Mr. Lee who used to live across from Hyochang Elementary School in my neighborhood, asked me to go to a publishing company to bring a check for his manuscript. I liked poetry, but I could not hang on to it for a living. Instead, I did write my diary for a while, but when I became a medical school student, I had to concentrate on studying and working for my tuition. I left my diary-book and my premedical course diploma at my older brotherโ€™s house when I immigrated to the US in 1972 and I do not know where those are. It must have a beautiful story in it. My first published writing was an essay on Korean Physicianโ€™s Newsletter in February 1968. I was requested to write it by an editor because I at the time led a social student organization, Gunwoo Society with my friend, the late Dr. Shill Shin. The next 40 years afterward I lived as a hard-working physician like most of my classmates. Although the Poet Jong-Gi Mah resided at Toledo, Ohio near Lima where I lived. When I saw him, I wondered why he wrote poems. On 1995 I started writing essays with titles such as โ€œDiamond Mount Tripโ€, โ€œMy Friends at Pebble beachโ€, and โ€œMy dear friends at Old Course at San Andrewโ€ on my alumni newsletter, Sigetop. At my age 65 after retirement from medicine, I published a book โ€œHello Doctor Seoโ€ and I visited Seoul and purchased a monthly poetry magazine โ€œShimunhakโ€ to check how they write poems nowadays. Afterward, I started writing poems. I was impressed with a new style of poetry, and I practiced in creating my own. One day my wife advised me to apply to an official admission process to be a new poet. ย I agreed and sent my 10 poems as an applicant. On December 24, 2009, on my birthday I received great news from Poet Kyuwha Kim, the editor of Shimunhak and I became a poet. My 40 years of experience as an ENT physician helped my writing, and many poems were about life and death. The panel members for selecting poets were DukSoo Moon, Jaerung Park. Kyuwha Kim, Kyuho Shin and they praised my works on the basis of true experience rather than decorative language. I would like to acknowledge my wife, Sunja, for encouraging me to apply. She graduated from Ewha Women University where she majored in literature. We married during my military service time when we were poor financially. After serving as a medical officer at the Korean army medical school, I served another year at a remote village where there was no electricity. I recall that she always read books even under dim light and had sent a letter to my mother once a month with a check for our parents for 30years till 2005 when my mother passed away at age 97. Also, my wife is very good at spelling, and she has been the first one who read my writing and gave me her opinion with some criticism.ย  But she never writes on her own. 15 years passed since I moved from Lima Ohio to Virginia. I served as an editorial member of Seoul Nation University alumni Newsletter in the US (2013-2015) and I served as the 44 th ย president of my medical school alumni association in North America (2015-2016). I have overseen editing newsletters on Sigetop till now for the last 10years. Also, I attended the activities of Korean literary society in Washington, International PEN Korea, and YundongJu literary society. I learned typing too. All my literary involvement stimulated me to write better.ย  Several years ago, poet Hyunsook Park established English division of LSW and afterward Young-Key Kim Renaud led to publishing Song In A Second Language ย and many members participated including Yearn-Hong Choi, Sarh Song, Kwang Mi Lee, Han Hwangbo, Sukza Park, Ingee Kim, Lydia Im, Hea-ok Kang, Sam Se-Woong Ro, Haesun Jung Ravoke, Insook Kim, Me-Young Kim, Yong-Sil Kim. Meyoung Kim, Nayoung Seo, Young-Key Kim Renaud. Hyun Park-Han, and Youn-Seok Seo. For this book, Poet Grace Cavalieri previewed and made comment, <Voice as A Bridge>. Last Feb 15, 2025, at the St. Johns College, Annapolis Maryland we had book signing session after presentations by Dr. Han Hwangbo, Dr. Kwang Mi Lee, and Professor Young-Key Kim Renaud led by Maryland poet laureate Grace Cavalieri. On Marh 15, 2025, poet Grace Cavalieri invited Professor Young-Key Kim Renaud for a recording at recording room in the US Library of Congress on her English poems and reading. This was the first time any Korean born person did a reading for this program. In the past 2003, as a memorial event of 100 years immigration of Korean to America, Yearn-Hong Choi and Haeng-Ja Kim read their poems on Korean but English version were read by American and Kwi-Soon Kwon read a poem, โ€œSea gullโ€ of poet Namsu Park in Korean. In April I was surprised and excited to receive an invitation from the program The Poet and ย  the Poem ย presented by Grace Cavalieri over many years. That visual recording will be done by the US Library of Congress, and I had to read eight of my English poems and Grace Cavalieri will be in the talks together in remotely. It will be on Podcast like her other many previous programs. For me It was 15 years after I started writing poems and 53years after I came to the US. I had to prepare for this appearance. For 38 years from 1972, I was around English-speaking people but the last 15 years since I retired from medicine and I am almost only around Koreans. I had to refresh my English to do a good job for my reading. I raised the volume of computer to avoid any hearing mistakes and read only English books as much as possible. I opened many of her previous records and reviewed how other poets did it.ย  Language, we must use it often, otherwise you will lose the skill. I stopped the all other telephone lines for two hours to keep quiet for recording and cleaned the desk and prepared the background and got a cup of water. I asked my wife to go to another room to prevent any noise of coughing, sneezing, particularly dish washing sound. I dressed in formal clothes and put on a bright color necktie and waited in front of the table at 1pm, May 9 th , 2025. Finally, Grace Cavalieri and Mike T from Library appeared and he said hello and moved out to the recording room and my reading and our conversation started and lasted for 35minutes.ย  She was a 93-year-old brilliant poet and playwright and radio host of the Library of Congress. She was very humorous, compassionate and very impressive. Our recording went very well. The first poem that I presented was titled โ€œGracious Mariaโ€ and I read it in both English and Korean and the rest of poems I read in English. The last one was โ€˜the most beautiful coupleโ€™s danceโ€™ which was written during the medical convention dinner. Eight poems were sent to her 2 weeks prior to the reading and most of them were from my poetry book Callous Clouds ย which was accepted by US Library of Congress 2 years ago. I shared several of my poems that day including โ€œLetter to Children of Ukraineโ€, โ€œOysterโ€, โ€œI cannot move my bodyโ€, โ€œThinking Woods, and โ€œSobbingโ€. I had talk about Korean War, Vietnam War, anatomy class, and the skull of 16 years old girl. I had a chance to explain about the great mission by the US government and University of Minnesota to help poor Korea after the Korean War 1955-1960 prior to this presentation by mail. We were happy to have this opportunity to present Korean alphabet, Han Gull ย to an American audience. I am so honored to participate in this great visual recording of poetry reading. It was the first time for a Korean immigrant to the US. I sent my appreciation letter to her with the recent medical school alumni publications and Sigetop newsletter with limited comments in English. ย  My Dream It must be a dream in a miracle It started with the soft rain last February At St. Johnโ€™s College Beautiful campus, and library And full of lovely presentations ย  Yes, I was an eight-year-old poor child, in 1950 During the Korean War I had no shoes, 74years ago Here I am a poet, in 2025 In the United State of America Presenting my poetry for this distinguished program The Poet and the Poem Hosted by the Great Poet, Grace Cavalieri The poet I admire ย  It must be a dream in a miracle I am blessed There is no other explanation for this fact What the power of Love, Humanity and the Art of poetry are! I am still in a dream, a happy dream With my sincere appreciation ย  May 10 th , 2025,ย ย  Youn Seok Seo

The Poet and the Poem with Grace Cavalieri

Recorded by Library of Congress ย ย ย ย ย ย ย ย ย  (Seo, Youn-Seok, Virginia) ย  On May 9 th , 2025, I was invited to this program by the poet laureate of Maryland, Grace Cavalieri.ย  As I recall my high school period, there was a great class on literature given by many famous teachers such as O-young Lee, Yonghak Chang, Dongwook Shin. Mr. Lee who used to live across from Hyochang Elementary School in my neighborhood, asked me to go to a publishing company to bring a check for his manuscript. I liked...

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์•„๋ž˜ ๋งํฌ๋ฅผ ํด๋ฆญํ•˜๋ฉด Mr. Crawford ์˜ ๋‚ญ์†ก์œผ๋กœ  ๊น€์ธ๊ธฐ ๋‹˜์˜ ์‹œ๋ฅผ ๊ฐ์ƒํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ํด๋ฆญ๐ŸŽž๏ธ  The Road I Go, Alone - by Henry Crawford - Everyday Poet 
 The road, I go alone Ingee Kim  There is a road I must go along, until sundown Even if I have to go alone.  The road, I have to go Whether in loneliness, or in fear.  The road, I have to go Whether in heat, or in thirst.  The road, I have to go Whether in harsh rain, or a snowstorm.  Despite the distance and the harshness, Despite the difficulties and the sufferings, There is a road, I have to go along by all means.  There is a quiet village of relief On the foot of the mountain of eternity, Which would welcome the tired footstep of the long journey. That is the road that I have to go along, until sundown Even if I go alone.    ํ™€๋กœ ๊ฐ€๋Š” ๊ธธ                          ๊น€ ์ธ๊ธฐ  ํ•ด ์ €๋ฌผ ๋•Œ๊นŒ์ง€ ํ˜ผ์ž์„œ๋ผ๋„ ๊ฐ€์•ผ๋งŒ ํ•˜๋Š”  ๊ธธ์ด ์žˆ์Šต๋‹ˆ๋‹ค.  ์™ธ๋กญ๊ณ  ๋‘๋ ต๋‹ค ํ•˜์—ฌ๋„ ๊ฐ€์•ผ๋งŒ ํ•˜๋Š” ๊ธธ ๋ฌด๋”์œ„ ๋ชฉ๋งˆ๋ฆ„ ์žˆ๋‹ค ํ•˜์—ฌ๋„  ๊ฐ€์•ผ๋งŒ ํ•˜๋Š” ๊ธธ  ๋ฉ€๊ณ  ํ—˜ํ•˜๋‹ค ํ•˜์—ฌ๋„ ํž˜๋“ค๊ณ  ๊ณ ๋˜๋‹ค ํ•˜์—ฌ๋„ ๊ธฐ์–ด์ด ๊ฐ€์•ผ๋งŒ ํ•˜๋Š” ๊ธธ์ด ์žˆ์Šต๋‹ˆ๋‹ค.  ์˜์›์˜ ์‚ฐ ๊ธฐ์Šญ์—๋Š” ๋จผ ๊ธธ์— ์ง€์นœ ๋ฐœ๊ฑธ์Œ ๋ฐ˜๊ฒจ์ค„ ์กฐ์šฉํ•œ ์•ˆ์‹์˜ ๋งˆ์„์ด ์žˆ์–ด ํ•ด ์ €๋ฌผ ๋•Œ๊นŒ์ง€ ํ˜ผ์ž์„œ๋ผ๋„ ๊ฐ€์•ผ๋งŒ ํ•˜๋Š” ๊ธธ์ด ์žˆ์Šต๋‹ˆ๋‹ค. 
 The Road I Go, Alone Ingee Kim's Poem of Quiet Strength Henry Crawford Jul 05, 2025 Going Alone Last week I had the pleasure of representing Forest Woods Media Productions at the celebration of the anthology, Songs in a Second Language  at the DC Arts Club. I concluded my discussion of my role as book manager with a reading of one of the poems from the book, Ingee Kimโ€™s, The Road, I Go Alone. Reading Ingeeโ€™s poem inspired me to create a video poem of the work. Poems are, firstly, scripts for a performance. Thatโ€™s the way theyโ€™ve been in the West since Homer. Like the ancients, today we can add music, in this case a solo trumpet with cinematic backing. For visuals, I added a stock footage montage. I hope you enjoy my experimentation with these short videos in Everyday Poet. For me, itโ€™s a way of heightening the emotional intensity of a poem. ย  ย  The Road I Go, Alone - by Henry Crawford - Everyday Poet

The Road I Go, Alone - by Henry Crawford - Everyday Poet

์•„๋ž˜ ๋งํฌ๋ฅผ ํด๋ฆญํ•˜๋ฉด Mr. Crawford ์˜ ๋‚ญ์†ก์œผ๋กœ ๊น€์ธ๊ธฐ ๋‹˜์˜ ์‹œ๋ฅผ ๊ฐ์ƒํ•  ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค. ํด๋ฆญ๐ŸŽž๏ธ The Road I Go, Alone - by Henry Crawford - Everyday Poet The road, I go...

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https://youtu.be/7_RPWj4wVVk?si=mOO1Uh26iKCQ4R2u

แ„†แ…ฎแ„€แ…ฎแ†ผแ„’แ…ชแ„‹แ…ฑแ„‰แ…ฅแ†ผ 1แ„’แ…ฉ แ„‡แ…กแ†ฏแ„‰แ…ก แ„แ…กแ„‹แ…ฎแ†ซแ„แ…ณแ„ƒแ…กแ„‹แ…ฎแ†ซ/ํ™ฉ๋ณดํ•œ

แ„†แ…ฎแ„€แ…ฎแ†ผแ„’แ…ชแ„‹แ…ฑแ„‰แ…ฅแ†ผ 1แ„’แ…ฉ๋ฅผ ์ง„๋‘์ง€ํœ˜ํ–ˆ๋˜ ํ™ฉ๋ณด ํ•œ ๋ฐ•์‚ฌ์˜ ์ž์„œ์ „์  ์†Œ์„ค

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๊ณ ์žฅ ๋‚œ ๋ฐฅํ†ต                                                                                         ๊ถŒํ–ฅ์˜ฅ ๋ถ€์—Œ ๊ท€ํ‰์ด์— ๋™๊ทธ๋งˆ๋‹ˆ ์•‰์•„์žˆ๋Š” ๊ณ ์žฅ ๋‚œ ๋ฐฅํ†ต ๋ฒŒ์จ ์—ฟ์ƒˆ์งธ ์ €๋Ÿฌ๊ณ  ์žˆ๋‹ค ์‹ญ์ˆ˜ ๋…„ ์ „ ์˜…์€ ๋ฏธ์ƒ‰ ์˜ˆ์œ ์žํƒœ๋กœ ์šฐ๋ฆฌ ์ง‘์— ์ฒ˜์Œ ์™€์„œ ์™„๋‘์ฝฉ๋ฐฅ ๊ฐ•๋‚ญ์ฝฉ๋ฐฅ ํ˜„๋ฏธ๋ฐฅ ๋ฒˆ๊ฐˆ์•„ ๊ฐ€๋ฉฐ ํ•˜๋ฃจ๋„ ๋นผ๋†“์ง€ ์•Š๊ณ  ๋ฌต๋ฌตํžˆ ๋”ฐ์Šคํ•œ ๋ฐฅ ์ง€์–ด ๋จน์ด๋ฉฐ ๋ฌดํ•œํ•œ ์‚ฌ๋ž‘์„ ๋‚˜๋ˆ ์ฃผ๋˜ ๋„ˆ ์–ด๋А ๋‚ ๋ถ€ํ„ฐ ํ‘น ํ‘ธ์šฑ ๊นŠ์€ ํ•œ์ˆจ ๋ฟœ์œผ๋ฉฐ ๊ณ ๋‡Œ๋„ ํ•˜๊ณ  ์‚‘ ์‚์ต ๋ชป ๊ฒฌ๋””๊ฒ ๋‹ค๊ณ  ๊ณ ํ•จ๋„ ์ง€๋ฅด๋ฉฐ ๋ง‰ํžŒ ์ˆจ๊ตฌ๋ฉ์— ๋‹ต๋‹ตํ•ด ๋ˆˆ๋ฌผ๋„ ํ˜๋ฆฌ๊ณ  ์ƒ์Œ€์„ ๋ณด์ด๋ฉฐ ๋ฐ๋ชจํ•˜๋”๋‹ˆ ๋“œ๋””์–ด ์กฐ์šฉํžˆ ๋ฉˆ์ถฐ๋ฒ„๋ ธ๋‹ค ๋ถ„์‹ ์ฒ˜๋Ÿผ ํ•จ๊ป˜ํ•œ ๊ธด ์„ธ์›” ๊ณ ์žฅ ๋‚œ ๋„ˆ๋ฅผ ๋ฒ„๋ฆด ์ˆ˜ ์—†์–ด ๋‚˜๋Š” ์•„์ง๋„ ๊ตฌ์„์— ๋„ˆ๋ฅผ ๊ฐ„์งํ•˜๊ณ  ์žˆ๋‹ค ๋งค์ผ ๋ฒ„๋ฆฌ๋ผ๊ณ  ์„ฑํ™”ํ•˜๋Š” ๋‚จํŽธ ๊ทธ๋Ÿฌ๋‚˜ ์˜ค๋Š˜๋„ ์ฃผ์ €ํ•˜๋Š” ๋‚˜ ๋งค์ผ ์•„์นจ ์•ฝ์œผ๋กœ ํ•˜๋ฃจ๋ฅผ ์—ฌ๋Š” ๋‚ด๊ฒŒ ์˜ค๋Š˜ ๋„ค๊ฐ€ ์กฐ์šฉํžˆ ๋งํ–ˆ๋‹ค ์ด์ œ ๊ทธ๋งŒ ๊ฐ€์•ผ์ง€

๊ณ ์žฅ ๋‚œ ๋ฐฅํ†ต/๊ถŒํ–ฅ์˜ฅ

๊ณ ์žฅ ๋‚œ ๋ฐฅํ†ต ๊ถŒํ–ฅ์˜ฅ ๋ถ€์—Œ ๊ท€ํ‰์ด์— ๋™๊ทธ๋งˆ๋‹ˆ ์•‰์•„์žˆ๋Š” ๊ณ ์žฅ ๋‚œ ๋ฐฅํ†ต ๋ฒŒ์จ ์—ฟ์ƒˆ์งธ ์ €๋Ÿฌ๊ณ  ์žˆ๋‹ค ์‹ญ์ˆ˜ ๋…„ ์ „ ์˜…์€ ๋ฏธ์ƒ‰ ์˜ˆ์œ ์žํƒœ๋กœ ์šฐ๋ฆฌ ์ง‘์— ์ฒ˜์Œ ์™€์„œ ์™„๋‘์ฝฉ๋ฐฅ ๊ฐ•๋‚ญ์ฝฉ๋ฐฅ ํ˜„๋ฏธ๋ฐฅ ๋ฒˆ๊ฐˆ์•„ ๊ฐ€๋ฉฐ ํ•˜๋ฃจ๋„ ๋นผ๋†“์ง€ ์•Š๊ณ  ๋ฌต๋ฌตํžˆ ๋”ฐ์Šคํ•œ ๋ฐฅ ์ง€์–ด ๋จน์ด๋ฉฐ ๋ฌดํ•œํ•œ...

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๊ถŒ๊ท€์ˆœ ์ด ๊ฝƒ์„ ๋ฐŸ์•„๋„ ๋˜๋‚˜ ๋ถ„ํ™์œผ๋กœ ํฅ๊ฑดํ•œ ๊ธธ ์œ„์—์„œ ๋จธ๋ญ‡๊ฑฐ๋ฆฐ๋‹ค ํ›„๋“œ๋“, ๋–จ์–ด์ง€๋Š” ๋น—๋ฐฉ์šธ์ฒ˜๋Ÿผ ๋ณ„๋“ค์ด ์ง„ ๊ฑฐ๋ฆฌ์—์„œ ๊ฝƒ๋“ค์ด ์†์ ˆ์—†์ด ๋‚˜๋ฌด๋ฅผ ๋– ๋‚˜๊ณ  ์žˆ๋‹ค ์ด ๊ฝƒ์„ ์–ด๋–ป๊ฒŒ ๊ฑด๋„ˆ์•ผ ํ•˜๋‚˜ ๋””๋”œ ํ‹ˆ ์—†๋Š” ๊ฝƒ์žŽ ์‚ฌ์ด์—์„œ ๊ธธ์„ ์žƒ๋Š”๋‹ค ์—ด๋งค๋ฅผ ๊ฟˆ๊พธ๋ฉฐ ์ฐฌ๋ฐ”๋žŒ ์† ์„œ๋‘˜๋Ÿฌ ๊ฝƒํ”ผ์šฐ๊ณ ๋Š” ์žŽ์„ ์œ„ํ•ด ์˜จ์ „ํžˆ ๊ธธ์„ ๋‚ด์ฃผ๋Š” ๊ฝƒ์žŽ ์–ด๋จธ๋‹ˆ๋กœ๋ถ€ํ„ฐ ๋‚ด๊ฒŒ ์˜จ ๊ฝƒ ๊ฐ™์€ ์‹œ๊ฐ„์ด ๋‚ด ์•„์ด์—๊ฒŒ๋กœ ๋‹ค์‹œ ๊ฐ€ ๊ฝƒ์ด ๋˜๋“ฏ์ด ํ•œ๋ฐ”ํƒ• ๋ฐ”๋žŒ ๋ถˆ์–ด์™€ ๋’น๊ตฌ๋Š” ๊ฝƒ์žŽ ์˜ค๋กฏ์ด ๋‚˜๋ฌด๋ฅผ ๋– ๋‚˜๋Š” ๊ทธ์˜ ๋“ฑ์—๋‹ค ๋ฐ”๋žŒ์ด ์งง์€ ๋ฌธ์žฅ์„ ํ๋ ค ์“ฐ๊ณ  ๊ฐ„๋‹ค ์ž˜ ๊ฐ€๋ผ, ์–ด์—ฌ์œ ๊ฝƒ Esthetics of Flowers Kwi Soon Kwon Is it okay to step on these flowers? I hesitate on the street soaked in pink. Like rain drops falling, On the street where stars have disappeared, Flowers are leaving trees, hopelessly. How do I walk across such flowers? I lose my way, standing among petals Scattered with no room to step between Dreaming of berries, Flowers hurry to bloom in cold wind, And don't hesitate to make way for the leaves. just as the time, as precious as flowers, that came to me from my mother, Goes to my child and turns back into flowers. Flowers petals readily leave trees and Tumble in the gusts of wind. On their backs, The wind scribbles a short sentence before going away; Farewell, pretty flowers.                             ------ Blister ,  Kwi Soon Kwon Click to purchase-->    Blister: Kwon, Kwi Soon: 9798313153650: Amazon.com : Books

๊ฝƒ์˜ ๋ฏธํ•™

๊ถŒ๊ท€์ˆœ ์ด ๊ฝƒ์„ ๋ฐŸ์•„๋„ ๋˜๋‚˜ ๋ถ„ํ™์œผ๋กœ ํฅ๊ฑดํ•œ ๊ธธ ์œ„์—์„œ ๋จธ๋ญ‡๊ฑฐ๋ฆฐ๋‹ค ํ›„๋“œ๋“, ๋–จ์–ด์ง€๋Š” ๋น—๋ฐฉ์šธ์ฒ˜๋Ÿผ ๋ณ„๋“ค์ด ์ง„ ๊ฑฐ๋ฆฌ์—์„œ ๊ฝƒ๋“ค์ด ์†์ ˆ์—†์ด ๋‚˜๋ฌด๋ฅผ ๋– ๋‚˜๊ณ  ์žˆ๋‹ค ์ด ๊ฝƒ์„ ์–ด๋–ป๊ฒŒ ๊ฑด๋„ˆ์•ผ ํ•˜๋‚˜ ๋””๋”œ ํ‹ˆ ์—†๋Š” ๊ฝƒ์žŽ ์‚ฌ์ด์—์„œ ๊ธธ์„ ์žƒ๋Š”๋‹ค ์—ด๋งค๋ฅผ ๊ฟˆ๊พธ๋ฉฐ ์ฐฌ๋ฐ”๋žŒ ์†...

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๊ฟˆ                                              ์ •๋‘ํ˜„ ํฐ ๋ถ“์— ๋จน๋ฌผ ๋“ฌ๋ฟ ์ฐ์–ด ๋งˆ์Œ ๋‹ค์Œ์–ด ์šฐ์ฃผ๋ฅผ ๊ทธ๋ ธ๋‹ค ๋จน๋ฌผ์ด ๋‹ค ํ•˜๋„๋ก ๊ทธ๋ฆฌ๊ณ  ๊ทธ๋ ธ๋‹ค ํ™”์„ ์ง€ ๋ฌผ๋„๋Ÿฌ๋ฏธ ๋“ค์—ฌ๋‹ค๋ณด์•˜๋‹ค ์‚ฐ๋„ ๋ฌผ๋„ ์—†๊ณ  ํ•˜๋Š˜์—” ๋ณ„๋„ ์—†๋”๋ผ ์•ˆ๊ฐœ ์ž์šฑํ•œ ์—ฌ๋ฐฑ๋ฟ์ด๋”๋ผ ์‹œํ–ฅ ์ œ 15์ง‘ 2021,  p. 130 ์‚ฌ์ง„์ถœ์ฒ˜: https://www.brightday-s.com/

๊ฟˆ/์ •๋‘ํ˜„

๊ฟˆ ์ •๋‘ํ˜„ ํฐ ๋ถ“์— ๋จน๋ฌผ ๋“ฌ๋ฟ ์ฐ์–ด ๋งˆ์Œ ๋‹ค์Œ์–ด ์šฐ์ฃผ๋ฅผ ๊ทธ๋ ธ๋‹ค ๋จน๋ฌผ์ด ๋‹ค ํ•˜๋„๋ก ๊ทธ๋ฆฌ๊ณ  ๊ทธ๋ ธ๋‹ค ํ™”์„ ์ง€ ๋ฌผ๋„๋Ÿฌ๋ฏธ ๋“ค์—ฌ๋‹ค๋ณด์•˜๋‹ค ์‚ฐ๋„ ๋ฌผ๋„ ์—†๊ณ  ํ•˜๋Š˜์—” ๋ณ„๋„ ์—†๋”๋ผ ์•ˆ๊ฐœ ์ž์šฑํ•œ ์—ฌ๋ฐฑ๋ฟ์ด๋”๋ผ ์‹œํ–ฅ ์ œ 15์ง‘ 2021, p. 130...

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๋‚ด๊ฐ€ ๋„ค ์—๋ฏธ๋‹ค  ๊น€์€์˜ ๋‚˜์˜ ์‚ฐ๋งฅ๋“ค์ด ๋‚ด ๋ฐ”๋‹ค์—์„œ ์†Ÿ์•„์˜ฌ๋ž๊ณ ย  ๋‚˜์˜ ๋ฐ”๋‹ค๊ฐ€ ๋„ˆ๋ฅผ ๋‚ณ์•˜๋‹คย  ์ˆฒ์œผ๋กœ ๋‚ด๊ฐ€ ์ˆจ์„ ์‰ฌ๋“ฏย ย  ๋„ค ๊ฐ€์Šด์— ํ—ˆํŒŒ๋ฅผ ์‹ฌ์–ด ์ฃผ์—ˆ๋‹คย  ์‚ฐ๋งฅ๋“ค์ด ๋‚˜์˜ ๋“ฑ๋ผˆ์™€ ๊ณจ๊ฒฉ์„ ์ด๋ฃจ๋“ฏย  ๋„ˆ์—๊ฒŒ ์ฒ™์ถ”์™€ ๊ทธ๊ณณ์—์„œ ๋ป—์–ด๋‚˜๋Š” ํŒ”๋‹ค๋ฆฌ๋ฅผ ์ฃผ์—ˆ๋‹ค ํ™๊ณผ ๋ฐ”๋žŒ์ด ๋‚˜์˜ ์‚ฐ๊ณผ ๋“ค์„ ์ฑ„์šฐ๋“ฏย  ์‚ด๊ณผ ๊ทผ์œก์œผ๋กœ ๋„ˆ์˜ ๋ผˆ๋ฅผ ์ฑ„์›Œ์ฃผ์—ˆ๋‹คย  ๋‚˜์˜ ๋Šช์ง€๋Œ€๊ฐ€ ์ˆœํ™˜์˜ ์ •ํ™”์‹œ์Šคํ…œ์ด๋“ฏย ย  ๋„ˆ์—๊ฒŒ๋„ ๊ฐ„๊ณผ ์ฝฉํŒฅ์„ ๋„ฃ์–ด ์ฃผ์—ˆ๋‹คย  ๋‚ด๊ฐ€ ๋‚ด ์†์— ๊ธฐ๊ฑฐํ•˜๋Š” ๋ชจ๋“  ์ƒ๋ช…์„ ํƒ„์ƒ๊ณผ ์ฃฝ์Œ์˜ย  ์ˆœํ™˜์œผ๋กœ ํ‚ค์›Œ๊ฐ€๋“ฏย  ๋„ˆ์—๊ฒŒ ์ž…์—์„œ ์žฅ์—์„œ ๋ฐฐ์„ค์˜ ์ˆœํ™˜์‹œ์Šคํ…œ์„ ๋„ฃ์–ด ๋„ˆ๋ฅผ ํ‚ค์šด๋‹ค ๊ทธ๋Ÿฐ๋ฐ ๋„ˆ๋Š”ย ย  ์•„๋งˆ์กด์„ ํƒœ์›Œ ๋‚ด ํ—ˆํŒŒ๋ฅผ ์ž๋ฅด๊ณ ย ย  ์‚ฐ์„ ํญํŒŒํ•˜์—ฌ ๋‚ด ์‚ด์„ ํฉํŠธ๋ฆฌ๊ณ ย  ๋ฐ”�๋‹ค์— ์“ฐ๋ ˆ๊ธฐ๋ฅผ ๋ฒ„๋ ค ๋‚ด ์ž๊ถ์„ ๋”๋Ÿฝํžˆ๊ณ  ๋Šช์ง€๋Œ€์— ์œ ์ „์„ ๋ฐ•์•„ ๋‚ด ์†Œํ™”๊ธฐ๊ด€์„ ๋ง‰๋Š”๊ตฌ๋‚˜ ย  ๋‚˜์˜ ๋ฐ”๋‹ค๋Š” ๊ด‘๋Œ€ํ•ด์„œ ๋ฌด์—‡์ด๋“  ๋ง‘๊ฒŒ ํ•  ์ˆ˜ ์žˆ์—ˆ๋‹ค ๋‚˜๋ฅผ ํŒŒ๋จน๊ณ  ์†Œํ™”๋˜์ง€๋„ ์•Š๋Š” ๋ฐฐ์„ค๋ฌผ๋“ค๋กœย  ๋‚ด ์ž๊ถ์˜ ์–‘์ˆ˜๋งˆ์ € ๊ตฌ์ •๋ฌผ๋กœ ๋งŒ๋“œ๋Š”๊ตฌ๋‚˜!ย  ๊ทธ๋Ÿฌ๋‚˜ ๋„ค๊ฐ€ ์ด๊ฒƒ์„ ์•„๋А๋ƒ?ย  ๋ฌด์—‡์ด๋“ ์ง€ ๋„ˆํฌ๋“ค์—๊ฒŒ์„œ ๋‚˜์˜ค๋Š” ๊ฒƒ์€ย  ๋‹ค์‹œ ๋„ค๊ฒŒ ๋“ค์–ด๊ฐ„๋‹คย  ๋„ค ๋ฐฐ๊ผฝ์˜ ํƒฏ์ค„์€ ์•„์ง๋„ ๋‚˜์™€ ์—ฐ๊ฒฐ๋˜์–ด ์žˆ์Œ์„ย  <๊น€์€์˜ ๋ฌธ์ธํšŒ> http://dc.koreatimes.com/article/20240314/1506150

๋‚ด๊ฐ€ ๋„ค ์—๋ฏธ๋‹ค/๊น€์€์˜

๋‚ด๊ฐ€ ๋„ค ์—๋ฏธ๋‹ค ๊น€์€์˜ ๋‚˜์˜ ์‚ฐ๋งฅ๋“ค์ด ๋‚ด ๋ฐ”๋‹ค์—์„œ ์†Ÿ์•„์˜ฌ๋ž๊ณ  ๋‚˜์˜ ๋ฐ”๋‹ค๊ฐ€ ๋„ˆ๋ฅผ ๋‚ณ์•˜๋‹ค ์ˆฒ์œผ๋กœ ๋‚ด๊ฐ€ ์ˆจ์„ ์‰ฌ๋“ฏ ๋„ค ๊ฐ€์Šด์— ํ—ˆํŒŒ๋ฅผ ์‹ฌ์–ด ์ฃผ์—ˆ๋‹ค ์‚ฐ๋งฅ๋“ค์ด ๋‚˜์˜ ๋“ฑ๋ผˆ์™€ ๊ณจ๊ฒฉ์„ ์ด๋ฃจ๋“ฏ ๋„ˆ์—๊ฒŒ ์ฒ™์ถ”์™€ ๊ทธ๊ณณ์—์„œ ๋ป—์–ด๋‚˜๋Š” ํŒ”๋‹ค๋ฆฌ๋ฅผ ์ฃผ์—ˆ๋‹ค ํ™๊ณผ ๋ฐ”๋žŒ์ด ๋‚˜์˜ ์‚ฐ๊ณผ...

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